"I don't think I really invented anybody. I have drawn on real life"
About this Quote
Hailey is quietly dismantling the romantic myth of the novelist as a godlike inventor. His books were famous for their engineered worlds - airports, hospitals, hotels - and that “engineered” quality sometimes drew a sniffy accusation: too researched, too procedural, too close to journalism. This line is his rebuttal, and it’s canny. He doesn’t claim raw transcription; he claims source material. “I don’t think I really invented anybody” is modest on the surface, but it’s also a flex: if his characters feel familiar, that’s not a failure of imagination, it’s a sign he got the world right.
The subtext is that realism can be a kind of authorship more demanding than pure invention. Hailey’s method was legwork, interviews, systems-thinking. By framing character as “drawn on real life,” he positions himself less as a dreamer than as a curator of modern institutions, turning anonymous workers and bureaucratic pressures into narrative engines. The phrase also smuggles in an ethical stance: he’s borrowing from life, not exploiting it, suggesting composites rather than exposés.
Context matters: mid-century commercial fiction was negotiating its relationship to documentary authority, with readers hungry for insider access to professions they didn’t inhabit. Hailey’s brand was the promise that you’d learn how the machine works - and feel what it does to the people inside it. This quote protects that brand while redefining creativity as selection, synthesis, and compression: the novelist as someone who makes reality legible, not someone who conjures it from nothing.
The subtext is that realism can be a kind of authorship more demanding than pure invention. Hailey’s method was legwork, interviews, systems-thinking. By framing character as “drawn on real life,” he positions himself less as a dreamer than as a curator of modern institutions, turning anonymous workers and bureaucratic pressures into narrative engines. The phrase also smuggles in an ethical stance: he’s borrowing from life, not exploiting it, suggesting composites rather than exposés.
Context matters: mid-century commercial fiction was negotiating its relationship to documentary authority, with readers hungry for insider access to professions they didn’t inhabit. Hailey’s brand was the promise that you’d learn how the machine works - and feel what it does to the people inside it. This quote protects that brand while redefining creativity as selection, synthesis, and compression: the novelist as someone who makes reality legible, not someone who conjures it from nothing.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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