"I don't think I've found the perfect job for me, but I know what I like, so that's halfway there, right?"
About this Quote
Restless optimism, with a wink. Colleen Haskell frames career uncertainty as a casual shrug, but the line is doing more work than it admits. The “perfect job” isn’t just elusive; it’s positioned as a modern mirage, the kind of promise you’re supposed to chase if you’ve been raised on personality-driven success stories and “do what you love” mythology. By refusing to claim she’s found it, she sidesteps the performative certainty that celebrities are expected to project.
The real turn is “but I know what I like.” That’s a smaller, sturdier claim, and it functions as self-protection. In a culture that treats vocation like identity, “knowing what I like” is a way to reclaim agency without having to announce a five-year plan. The “halfway there” math is intentionally soft: it lowers the stakes, makes experimentation sound like progress, and invites the listener to stop treating indecision as failure.
Haskell’s context matters because celebrity is a job that looks like a destiny from the outside and feels like a contingency from the inside. Post-reality-TV fame especially tends to produce a weird afterlife: you’re visible, marketable, and still not sure what you’re for. The quote reads like someone negotiating that gap in real time, translating the anxiety of too many options (and too many opinions) into something socially shareable: uncertainty, repackaged as momentum.
The real turn is “but I know what I like.” That’s a smaller, sturdier claim, and it functions as self-protection. In a culture that treats vocation like identity, “knowing what I like” is a way to reclaim agency without having to announce a five-year plan. The “halfway there” math is intentionally soft: it lowers the stakes, makes experimentation sound like progress, and invites the listener to stop treating indecision as failure.
Haskell’s context matters because celebrity is a job that looks like a destiny from the outside and feels like a contingency from the inside. Post-reality-TV fame especially tends to produce a weird afterlife: you’re visible, marketable, and still not sure what you’re for. The quote reads like someone negotiating that gap in real time, translating the anxiety of too many options (and too many opinions) into something socially shareable: uncertainty, repackaged as momentum.
Quote Details
| Topic | Career |
|---|
More Quotes by Colleen
Add to List






