"I don't think the advertisers have any real idea of their power not only to reflect but to mold society"
About this Quote
Advertisers like to cast themselves as mirrors: neutral messengers giving people what they already want. Mannes punctures that comfortable myth with one loaded word: power. Not creativity, not persuasion, not “market insight” - power, the kind that reorganizes what a culture thinks is normal. Her line is aimed less at the public than at the industry’s self-image: the real danger isn’t that ads manipulate us, but that the people doing the manipulating don’t fully recognize they’re doing governance by other means.
The phrase “not only to reflect but to mold” is a quiet escalation. Reflection sounds passive, almost journalistic: report the mood, capture the zeitgeist. Mold is industrial and intimate at once, like hands shaping wet clay. It implies that repeated images, slogans, and targeted fantasies don’t just follow social change; they pre-script it, setting the boundaries of aspiration, gender roles, consumer habits, even politics. Mannes’s intent is to make “influence” feel too small a word.
Context matters. Mannes wrote in a 20th-century America where mass advertising fused with radio, magazines, and later television into a single national feed of desire. Postwar consumer culture wasn’t merely selling products; it was selling identities calibrated for scale. Her subtext reads like an early warning about the feedback loop we now live in: media claims to “give the audience what it wants,” then trains the audience to want what it can profitably sell. The most incisive sting is her implication that this molding happens without a mastermind - just a system doing what it’s built to do.
The phrase “not only to reflect but to mold” is a quiet escalation. Reflection sounds passive, almost journalistic: report the mood, capture the zeitgeist. Mold is industrial and intimate at once, like hands shaping wet clay. It implies that repeated images, slogans, and targeted fantasies don’t just follow social change; they pre-script it, setting the boundaries of aspiration, gender roles, consumer habits, even politics. Mannes’s intent is to make “influence” feel too small a word.
Context matters. Mannes wrote in a 20th-century America where mass advertising fused with radio, magazines, and later television into a single national feed of desire. Postwar consumer culture wasn’t merely selling products; it was selling identities calibrated for scale. Her subtext reads like an early warning about the feedback loop we now live in: media claims to “give the audience what it wants,” then trains the audience to want what it can profitably sell. The most incisive sting is her implication that this molding happens without a mastermind - just a system doing what it’s built to do.
Quote Details
| Topic | Marketing |
|---|---|
| Source | Help us find the source |
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