"I don't think Will does get upstaged because his reaction is always funnier than what is actually happening. That is also the reason Tommy is funnier than Will"
About this Quote
Sonnenfeld is defending a kind of comedy that doesnt chase the spotlight so much as weaponize it. In his framing, Will is almost impossible to upstage because his real punchline is responsiveness: the microsecond of disbelief, the perfectly calibrated double-take, the face that tells the audience how to feel without begging for laughs. The action can be loud, the gag can be elaborate, even another performer can swing harder, but the reaction is the audience surrogate. Its the laugh track with dignity.
The sly provocation is the second sentence: "That is also the reason Tommy is funnier than Will". Read it less as shade and more as a producers eye for hierarchy. In ensemble comedy, the person who reacts often wins because they get to cash everyone elses checks. The straight man isnt straight; he's a curator, selecting which chaos gets framed as ridiculous. Tommy, in Sonnenfelds implied lineup, is better at that curation - sharper timing, cleaner emotional truth, a more legible point of view.
Context matters because Sonnenfeld comes out of a visual, performance-forward tradition (camera, blocking, rhythm). He's talking about comedy as editing in real time. The subtext is also a defense of craft over spectacle: the funniest person isnt always the one doing the most, but the one making the most of what others do. In an era that rewards big bits and viral bravado, its a reminder that restraint is a power move.
The sly provocation is the second sentence: "That is also the reason Tommy is funnier than Will". Read it less as shade and more as a producers eye for hierarchy. In ensemble comedy, the person who reacts often wins because they get to cash everyone elses checks. The straight man isnt straight; he's a curator, selecting which chaos gets framed as ridiculous. Tommy, in Sonnenfelds implied lineup, is better at that curation - sharper timing, cleaner emotional truth, a more legible point of view.
Context matters because Sonnenfeld comes out of a visual, performance-forward tradition (camera, blocking, rhythm). He's talking about comedy as editing in real time. The subtext is also a defense of craft over spectacle: the funniest person isnt always the one doing the most, but the one making the most of what others do. In an era that rewards big bits and viral bravado, its a reminder that restraint is a power move.
Quote Details
| Topic | Funny |
|---|
More Quotes by Barry
Add to List



