"I don't very often think I've done a good job. I don't like the majority of what I do. I shouldn't say I don't like it, but I'm not satisfied with almost everything that I do"
About this Quote
Paul Simon is describing the engine behind a certain kind of greatness: not confidence, but calibrated dissatisfaction. Coming from a songwriter whose catalog feels almost preternaturally finished, the admission lands as a quiet rebuke to the myth that artists are powered by inspiration and self-belief. Simon’s voice here is less tortured-genius melodrama than workmanlike restlessness. He corrects himself midstream ("I shouldn't say I don't like it"), as if even his self-critique needs editing. That small pivot matters: he’s not performing self-hatred, he’s naming a discipline.
The subtext is control. Simon’s songs are famously precise, built from exact images and rhythmic choices that can sound effortless only because they’re over-revised. When he says he’s "not satisfied with almost everything", he’s talking about the gap between what he hears in his head and what the world hears through speakers. That gap is where craft lives, and it’s also where anxiety can set up shop. His intent isn’t to ask for reassurance; it’s to normalize the idea that the finished product is often a compromise with time, taste, and the limits of language.
In the larger context of pop stardom, the quote cuts against an industry that sells certainty. It also reframes longevity: staying relevant isn’t just reinvention, it’s refusing to let your last success become your standard. Simon’s dissatisfaction reads less like insecurity than like quality control, the kind that keeps an artist chasing the next line that finally clicks.
The subtext is control. Simon’s songs are famously precise, built from exact images and rhythmic choices that can sound effortless only because they’re over-revised. When he says he’s "not satisfied with almost everything", he’s talking about the gap between what he hears in his head and what the world hears through speakers. That gap is where craft lives, and it’s also where anxiety can set up shop. His intent isn’t to ask for reassurance; it’s to normalize the idea that the finished product is often a compromise with time, taste, and the limits of language.
In the larger context of pop stardom, the quote cuts against an industry that sells certainty. It also reframes longevity: staying relevant isn’t just reinvention, it’s refusing to let your last success become your standard. Simon’s dissatisfaction reads less like insecurity than like quality control, the kind that keeps an artist chasing the next line that finally clicks.
Quote Details
| Topic | Confidence |
|---|
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