"I don't want little kids reading my comics"
About this Quote
There is a refreshingly blunt kind of boundary-setting in “I don’t want little kids reading my comics,” especially coming from Jhonen Vasquez, a creator whose visual language (big-eyed characters, candy-colored gloom, punchy lines) can look kid-adjacent at a glance. The sentence works because it refuses the most persistent trap of cartooning in American culture: if it’s drawn, it must be for children; if children find it, the artist must soften.
Vasquez’s intent isn’t just to warn parents about “edgy content.” It’s to protect the tone. His work thrives on a specific cocktail of menace and absurdity, where cruelty becomes a punchline and cuteness becomes camouflage. Little kids aren’t merely the “wrong” audience; they’re an audience that changes the product. Once a work is positioned as children’s media, it gets filtered through the machinery of moral panic, ratings, school librarians, and marketing departments that want mascots without the bile.
The subtext is also about creative autonomy. This is an artist pushing back against involuntary branding: the idea that your art becomes a babysitter because it has drawings, or that you’re responsible for being wholesome because someone else misread the packaging. Coming out of the late-’90s/early-2000s alt-comics and animation ecosystem, Vasquez is signaling allegiance to a tradition where cartoons can be nasty, intimate, and cathartic - not educational, not aspirational, and definitely not safe.
Vasquez’s intent isn’t just to warn parents about “edgy content.” It’s to protect the tone. His work thrives on a specific cocktail of menace and absurdity, where cruelty becomes a punchline and cuteness becomes camouflage. Little kids aren’t merely the “wrong” audience; they’re an audience that changes the product. Once a work is positioned as children’s media, it gets filtered through the machinery of moral panic, ratings, school librarians, and marketing departments that want mascots without the bile.
The subtext is also about creative autonomy. This is an artist pushing back against involuntary branding: the idea that your art becomes a babysitter because it has drawings, or that you’re responsible for being wholesome because someone else misread the packaging. Coming out of the late-’90s/early-2000s alt-comics and animation ecosystem, Vasquez is signaling allegiance to a tradition where cartoons can be nasty, intimate, and cathartic - not educational, not aspirational, and definitely not safe.
Quote Details
| Topic | Art |
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