"I don't want to hear about my death"
About this Quote
A refusal that sounds childish until you remember who is speaking. Oriana Fallaci made a career out of staring down other people’s mortality and power - dragging it into daylight with questions that left dictators, revolutionaries, and presidents squirming. “I don’t want to hear about my death” lands, then, as less denial than recoil from being turned into a story by someone else.
The line has the stripped-down candor of a reporter who knows how narratives get manufactured. Death is the ultimate editorial: it invites a neat arc, a moral, a soft-focus montage. Fallaci’s resistance reads as a final act of control, a demand not to be reduced to obituary language or the sentimental packaging reserved for “important women” once they’re safely gone. Her work was combative, often polarizing; talk about her death would be talk about her meaning, and meaning is where her enemies would love to pin her down.
There’s also professional superstition in it. Journalists are trained to treat death as a fact for other people. To have it applied to yourself is to become a subject, an object, a case. Fallaci rejects that inversion. The subtext is almost contractual: I’ve spent my life asking the questions; don’t you dare make me the answer.
In a culture that’s eager to metabolize uncomfortable figures into consumable legacies, the sentence works because it’s not poetic. It’s brusque, unadorned, and uncooperative - like its author.
The line has the stripped-down candor of a reporter who knows how narratives get manufactured. Death is the ultimate editorial: it invites a neat arc, a moral, a soft-focus montage. Fallaci’s resistance reads as a final act of control, a demand not to be reduced to obituary language or the sentimental packaging reserved for “important women” once they’re safely gone. Her work was combative, often polarizing; talk about her death would be talk about her meaning, and meaning is where her enemies would love to pin her down.
There’s also professional superstition in it. Journalists are trained to treat death as a fact for other people. To have it applied to yourself is to become a subject, an object, a case. Fallaci rejects that inversion. The subtext is almost contractual: I’ve spent my life asking the questions; don’t you dare make me the answer.
In a culture that’s eager to metabolize uncomfortable figures into consumable legacies, the sentence works because it’s not poetic. It’s brusque, unadorned, and uncooperative - like its author.
Quote Details
| Topic | Mortality |
|---|
More Quotes by Oriana
Add to List





