"I don't write for publishers, certainly not for critics, and not for readers, But I am delighted that so many people have found my books enjoyable and want to continue to read them"
About this Quote
The flex here is quiet but calculated: Auel claims she writes for no one, then immediately takes a bow for the crowd. It reads like a refusal to audition for gatekeepers while still honoring the fact that the work landed. In an industry where publishers and critics can act like border control for “serious” literature, she’s drawing a line between validation and vocation: the book gets made in a private room, not in the committee meeting.
The subtext is a defense against a familiar kind of condescension. Auel’s Earth’s Children novels were massively popular and often treated, in certain literary circles, as suspect for that very reason: too readable, too romantic, too “commercial.” By naming publishers, critics, and even readers as non-targets, she’s rejecting the transactional idea that writing is customer service. It’s also a way of preserving authority over her own imagination, especially as a woman writing big, research-heavy historical epics that invite both fan devotion and nitpicky dismissal.
The pivot - “But I am delighted...” - matters. It signals she’s not anti-audience; she’s anti-dictation. Enjoyment becomes a consequence, not a brief. That’s a politically savvy posture for a bestselling author: it sidesteps accusations of pandering while acknowledging the real community that forms around long-running series. She’s staking out a third space between elitism and market obedience: autonomy without contempt, gratitude without surrender.
The subtext is a defense against a familiar kind of condescension. Auel’s Earth’s Children novels were massively popular and often treated, in certain literary circles, as suspect for that very reason: too readable, too romantic, too “commercial.” By naming publishers, critics, and even readers as non-targets, she’s rejecting the transactional idea that writing is customer service. It’s also a way of preserving authority over her own imagination, especially as a woman writing big, research-heavy historical epics that invite both fan devotion and nitpicky dismissal.
The pivot - “But I am delighted...” - matters. It signals she’s not anti-audience; she’s anti-dictation. Enjoyment becomes a consequence, not a brief. That’s a politically savvy posture for a bestselling author: it sidesteps accusations of pandering while acknowledging the real community that forms around long-running series. She’s staking out a third space between elitism and market obedience: autonomy without contempt, gratitude without surrender.
Quote Details
| Topic | Writing |
|---|
More Quotes by Jean
Add to List



