"I enjoy doing the research of nonfiction; that gives me some pleasure, being a detective again"
About this Quote
Wambaugh’s line slips a badge back into his pocket without ever saying the word “cop.” “Research” is usually the dutiful, unglamorous part of nonfiction, the hours of documents and interviews that readers never see. He reframes it as “pleasure” and, more tellingly, as play: “being a detective again.” The move is both modest and quietly revealing. He isn’t claiming authority through credentials; he’s admitting the itch that never quite went away.
The subtext is that nonfiction, for Wambaugh, isn’t a genre so much as a method of returning to a familiar adrenaline: the chase for the missing detail, the triangulation of stories, the moment a human contradiction finally clicks into a coherent motive. “Detective” also functions as a cultural shorthand for legitimacy. In an era when true-crime can drift into voyeurism or content-farm spectacle, he’s staking out a different ethic: the work is pleasurable because it’s investigative, not because it’s lurid.
Context matters because Wambaugh built his reputation translating police culture for civilians, often with a novelist’s eye for character and institutional hypocrisy. The phrase “again” carries the nostalgia and the ambivalence: the detective role is romantic in retrospect, but it also implies he left for a reason. Research becomes a safe reenactment of the job’s core skill - attention - without the daily exposure to violence, bureaucracy, and moral exhaustion. It’s a neat self-portrait of a writer who treats facts not as constraints, but as the scene of the crime where meaning is hiding.
The subtext is that nonfiction, for Wambaugh, isn’t a genre so much as a method of returning to a familiar adrenaline: the chase for the missing detail, the triangulation of stories, the moment a human contradiction finally clicks into a coherent motive. “Detective” also functions as a cultural shorthand for legitimacy. In an era when true-crime can drift into voyeurism or content-farm spectacle, he’s staking out a different ethic: the work is pleasurable because it’s investigative, not because it’s lurid.
Context matters because Wambaugh built his reputation translating police culture for civilians, often with a novelist’s eye for character and institutional hypocrisy. The phrase “again” carries the nostalgia and the ambivalence: the detective role is romantic in retrospect, but it also implies he left for a reason. Research becomes a safe reenactment of the job’s core skill - attention - without the daily exposure to violence, bureaucracy, and moral exhaustion. It’s a neat self-portrait of a writer who treats facts not as constraints, but as the scene of the crime where meaning is hiding.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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