"I enjoy making solo albums because over the years it's evolved into more of a genuine personal expression of story-telling and day dreams, and I work in a way that has more control"
About this Quote
Solo work, for Bruce Dickinson, isn’t a vanity lap outside Iron Maiden so much as a bid for authorship. The phrase “genuine personal expression” is doing quiet but pointed work: it implies that the band format, however legendary, is a negotiated space. Maiden is a machine built for scale - big hooks, bigger mythology, a democratic push-and-pull of personalities and legacy. A solo album, by contrast, is where Dickinson can stop being the frontman as institution and return to being a narrator with private cravings.
What makes the quote land is its pairing of “story-telling” with “day dreams.” Storytelling is craft; daydreams are impulse. He’s signaling that the solo project is the place where the weird, the tender, the nonfunctional ideas get to live long enough to become songs - less about meeting an audience’s expectations and more about chasing an internal image until it resolves. It’s an artist describing the difference between performing a role and writing from the inside of it.
Then comes the tell: “I work in a way that has more control.” He doesn’t dress it up as freedom, which can sound adolescent. Control is adult language - about decisions, pacing, arrangements, collaborators, even lyrical tone. In context, it’s also a realistic admission about the price of being in a famous band: the brand can be a creative instrument, but it’s also a creative boundary. Dickinson’s intent is to justify the detour as essential, not optional: solo records as a parallel life where he gets to steer the story.
What makes the quote land is its pairing of “story-telling” with “day dreams.” Storytelling is craft; daydreams are impulse. He’s signaling that the solo project is the place where the weird, the tender, the nonfunctional ideas get to live long enough to become songs - less about meeting an audience’s expectations and more about chasing an internal image until it resolves. It’s an artist describing the difference between performing a role and writing from the inside of it.
Then comes the tell: “I work in a way that has more control.” He doesn’t dress it up as freedom, which can sound adolescent. Control is adult language - about decisions, pacing, arrangements, collaborators, even lyrical tone. In context, it’s also a realistic admission about the price of being in a famous band: the brand can be a creative instrument, but it’s also a creative boundary. Dickinson’s intent is to justify the detour as essential, not optional: solo records as a parallel life where he gets to steer the story.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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