"I feel happy to terrify kids"
About this Quote
There is a delicious, slightly wicked honesty in R. L. Stine admitting, "I feel happy to terrify kids" - a line that sounds like a villain monologue until you remember he is basically the patron saint of scholastic book fairs. The intent is playful self-indictment: he is naming the forbidden pleasure at the heart of children’s horror, where fear is not trauma but a ride you choose, buckle into, and exit laughing. Stine isn’t boasting about cruelty; he’s staking a claim for safe danger as a legitimate childhood need.
The subtext is about control. Kids spend most of their lives managed by adults, trapped in rules, schedules, and polite feelings. Horror hands them a private switchboard: turn the page, summon the monster, survive it, close the cover. Stine’s happiness is partly the satisfaction of engineering that loop - tension, shock, relief - but also of watching kids practice bravery in a low-stakes arena. The "terrify" is the hook; the real product is mastery.
Context matters: Goosebumps hit in the 1990s, when children’s media was simultaneously getting more sanitized in public-facing “family values” rhetoric and more daring in its pop thrills. Stine made fear mass-market, episodic, and funny - closer to a campfire story than gothic literature. He turned terror into a literacy engine, proof that the fastest way to get a kid to read is to promise them they might regret it, just a little, and then let them come back for more.
The subtext is about control. Kids spend most of their lives managed by adults, trapped in rules, schedules, and polite feelings. Horror hands them a private switchboard: turn the page, summon the monster, survive it, close the cover. Stine’s happiness is partly the satisfaction of engineering that loop - tension, shock, relief - but also of watching kids practice bravery in a low-stakes arena. The "terrify" is the hook; the real product is mastery.
Context matters: Goosebumps hit in the 1990s, when children’s media was simultaneously getting more sanitized in public-facing “family values” rhetoric and more daring in its pop thrills. Stine made fear mass-market, episodic, and funny - closer to a campfire story than gothic literature. He turned terror into a literacy engine, proof that the fastest way to get a kid to read is to promise them they might regret it, just a little, and then let them come back for more.
Quote Details
| Topic | Dark Humor |
|---|---|
| Source | Later attribution: Masters of Horror (Sue L. Hamilton, 2007) modern compilation
Evidence: ... Stine's Goosebumps series , Welcome to Dead House . R.L.STINE. Goosebumps. WELCOME TO DEAD HOUSE MSCHOLASTIC I feel happy to terrify kids . M. -R.L. Stine illions of kids today thrill to R.L. Stine's creepy tales of things that go bump in ... Other candidates (2) R. L. Stine (R. L. Stine) compilation50.0% when i started out i just wanted to write humor i wrote humor for kids my very Mr. Ray's travels, Vol. 2 : $b A collection of curious tr... (Ray, John, 1705) primary33.3% he contents part i chap i which way i went first of all from augspurg to marseil |
| Cite |
Citation Formats
APA Style (7th ed.)
Stine, R. L. (2026, February 7). I feel happy to terrify kids. FixQuotes. https://fixquotes.com/quotes/i-feel-happy-to-terrify-kids-120660/
Chicago Style
Stine, R. L. "I feel happy to terrify kids." FixQuotes. February 7, 2026. https://fixquotes.com/quotes/i-feel-happy-to-terrify-kids-120660/.
MLA Style (9th ed.)
"I feel happy to terrify kids." FixQuotes, 7 Feb. 2026, https://fixquotes.com/quotes/i-feel-happy-to-terrify-kids-120660/. Accessed 8 Feb. 2026.
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