"I feel like a cliche"
About this Quote
"I feel like a cliche" is the kind of small, self-sabotaging line that carries a whole novel’s worth of self-awareness. Coming from Jonathan Carroll, a writer known for slipping the uncanny into the everyday, it reads less like a throwaway complaint and more like a diagnosis: the speaker doesn’t just fear being predictable; they fear being readable. A cliche isn’t merely boring. It’s prewritten. It’s a life that arrives with stage directions.
The intent is to name a modern anxiety without dressing it up: the sense that your emotions, your trauma, even your growth arc have already been packaged into familiar beats. Carroll’s subtext is particularly sharp because fiction is the machine that manufactures cliches - and also the place where you can interrogate them. When a novelist admits to feeling like one, he’s confessing an occupational hazard: spending so much time identifying patterns that you start seeing your own interior life as a plot device.
Context matters here. A late-20th-century author is writing after irony has become a default posture and after mass media has flooded us with prefab identities. The line performs a quiet double move: it’s humility (I’m not special) and a plea (please don’t reduce me). It works because it’s almost too plain; the sting is in the resignation. The most unsettling part is the implication that originality isn’t a talent - it’s a kind of escape, and not everyone gets out.
The intent is to name a modern anxiety without dressing it up: the sense that your emotions, your trauma, even your growth arc have already been packaged into familiar beats. Carroll’s subtext is particularly sharp because fiction is the machine that manufactures cliches - and also the place where you can interrogate them. When a novelist admits to feeling like one, he’s confessing an occupational hazard: spending so much time identifying patterns that you start seeing your own interior life as a plot device.
Context matters here. A late-20th-century author is writing after irony has become a default posture and after mass media has flooded us with prefab identities. The line performs a quiet double move: it’s humility (I’m not special) and a plea (please don’t reduce me). It works because it’s almost too plain; the sting is in the resignation. The most unsettling part is the implication that originality isn’t a talent - it’s a kind of escape, and not everyone gets out.
Quote Details
| Topic | Deep |
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