"I feel like there’s something so powerful about being vulnerable on screen"
About this Quote
The intent is partly craft talk, partly cultural critique. Ortega is pointing at the strange economy of modern fame where authenticity is demanded yet punished. Audiences want “real,” but the internet treats sincerity like a blood sport. To be vulnerable in public now isn't merely emoting; it’s consenting to scrutiny, memes, and armchair diagnoses. Her phrasing - “I feel like” and “something so powerful” - keeps it personal and non-theoretical, which is strategic. It signals sincerity without overclaiming, inviting identification rather than argument.
Subtext: vulnerability is not weakness; it’s leverage. On screen, it collapses the protective distance between viewer and character. It turns a performance from demonstration (“watch me act”) into exposure (“watch me risk”). That risk creates intimacy, and intimacy is what sticks after the plot fades.
Context matters because Ortega’s generation is trained in self-curation from adolescence. For someone raised under constant documentation, choosing vulnerability is a deliberate aesthetic and ethical decision: letting the camera catch you unguarded when being guarded is the default setting.
Quote Details
| Topic | Movie |
|---|---|
| Source | Jenna Ortega, interview with The Hollywood Reporter (March 6, 2023) |
| Cite | Cite this Quote |
Citation Formats
APA Style (7th ed.)
Ortega, Jenna. (n.d.). I feel like there’s something so powerful about being vulnerable on screen. FixQuotes. https://fixquotes.com/quotes/i-feel-like-theres-something-so-powerful-about-184392/
Chicago Style
Ortega, Jenna. "I feel like there’s something so powerful about being vulnerable on screen." FixQuotes. Accessed February 1, 2026. https://fixquotes.com/quotes/i-feel-like-theres-something-so-powerful-about-184392/.
MLA Style (9th ed.)
"I feel like there’s something so powerful about being vulnerable on screen." FixQuotes, https://fixquotes.com/quotes/i-feel-like-theres-something-so-powerful-about-184392/. Accessed 1 Feb. 2026.







