"I feel very fortunate to have been associated with people such as Rodgers and Hammerstein. I think they were geniuses of their time"
About this Quote
There’s a careful double move in Shirley Jones’s praise: it’s gratitude, yes, but also positioning. By calling herself “fortunate” to be “associated with” Rodgers and Hammerstein, she frames her own career not as conquest but as proximity to greatness. That word “associated” is doing quiet work. It’s modest enough to avoid sounding self-congratulatory, but it still stakes a claim: she wasn’t just a fan in the balcony, she was in the room, in the canon, part of the machinery that produced midcentury American myth.
The genius line isn’t a hot take; it’s a cultural signal flare. Rodgers and Hammerstein now function like shorthand for a particular kind of American legitimacy: Broadway as national institution, optimism with an edge, emotions engineered to look effortless. Jones, who moved between stage and screen at the exact moment musicals were becoming mass media, is effectively crediting the architects while reminding you she was a primary instrument. It’s a way of saying: if you loved that era, you’ve already loved me.
There’s also an era-specific etiquette here. Old Hollywood and Broadway were built on hierarchies, and public speech often honored “the great men” as a form of professional decorum, especially for women performers whose authority was policed. “Geniuses of their time” is reverence without controversy, a safe tribute that still conveys something real: she’s marking the distance between today’s churn of content and a period when a small set of collaborators could define what America sang to itself.
The genius line isn’t a hot take; it’s a cultural signal flare. Rodgers and Hammerstein now function like shorthand for a particular kind of American legitimacy: Broadway as national institution, optimism with an edge, emotions engineered to look effortless. Jones, who moved between stage and screen at the exact moment musicals were becoming mass media, is effectively crediting the architects while reminding you she was a primary instrument. It’s a way of saying: if you loved that era, you’ve already loved me.
There’s also an era-specific etiquette here. Old Hollywood and Broadway were built on hierarchies, and public speech often honored “the great men” as a form of professional decorum, especially for women performers whose authority was policed. “Geniuses of their time” is reverence without controversy, a safe tribute that still conveys something real: she’s marking the distance between today’s churn of content and a period when a small set of collaborators could define what America sang to itself.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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