"I felt good full figured. Morbidly obese I was unhealthy and dying"
About this Quote
Star Jones draws a bright, almost brutal line between two kinds of cultural language we often blur on purpose: self-acceptance and self-destruction. “Full figured” is the euphemism that lets you stay inside the social world - stylish, desirable, in control. It’s also a phrase with history: a way for women, especially in media, to claim space without begging permission from thinness. By opening with “I felt good,” she admits the seduction of that framing. Feeling good can be real; it can also be armor.
Then she detonates it: “Morbidly obese” is clinical, cold, and impossible to accessorize. The pivot isn’t just about weight; it’s about the moment when language stops protecting you. Jones is signaling that there’s a threshold where “body positivity” can’t do the job of medical reality, and she’s willing to say the impolite part out loud: she was “unhealthy and dying.” That last word isn’t metaphor. It’s a demand that the audience treat the stakes as bodily, not aesthetic.
The context matters because Jones is an entertainer - a public body in every sense, scrutinized, joked about, sold back to her. Her intent reads as corrective: not a scolding of bigger bodies, but a rejection of denial as empowerment. The subtext is grief and accountability wrapped together: I believed my own coping script, until my body forced a rewrite. In a culture that monetizes both shame and “confidence,” the quote’s power is its refusal to let either narrative win.
Then she detonates it: “Morbidly obese” is clinical, cold, and impossible to accessorize. The pivot isn’t just about weight; it’s about the moment when language stops protecting you. Jones is signaling that there’s a threshold where “body positivity” can’t do the job of medical reality, and she’s willing to say the impolite part out loud: she was “unhealthy and dying.” That last word isn’t metaphor. It’s a demand that the audience treat the stakes as bodily, not aesthetic.
The context matters because Jones is an entertainer - a public body in every sense, scrutinized, joked about, sold back to her. Her intent reads as corrective: not a scolding of bigger bodies, but a rejection of denial as empowerment. The subtext is grief and accountability wrapped together: I believed my own coping script, until my body forced a rewrite. In a culture that monetizes both shame and “confidence,” the quote’s power is its refusal to let either narrative win.
Quote Details
| Topic | Health |
|---|---|
| Source | Help us find the source |
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