"I figured as I got older, the good roles for women would be in the theatre. So 15 years ago I started building a Broadway career to try and develop the chops to be accepted as a great theatrical actress"
About this Quote
A career plan that sounds almost quaint until you remember how brutally rational it is. Turner isn’t romanticizing the stage; she’s treating theatre as a refuge with standards. The intent is pragmatic: if film and TV narrow women’s parts as they age, Broadway becomes the place where craft can outweigh youth, and where authority can be earned in front of an audience that can’t be edited into loving you.
The subtext is sharper: Hollywood doesn’t just “run out” of roles for older women, it withholds seriousness. Turner’s phrasing, “good roles for women,” implies scarcity by design, not accident. So she takes preemptive action, “building a Broadway career” like a parallel life raft. It’s a hedge against an industry that too often treats women’s aging as a genre problem rather than an artistic opportunity.
Context matters: Turner came up as a screen icon in the 1980s, when her persona was both power and packaging. A famous face can become its own trap, especially for actresses whose early success is tied to a specific kind of desirability. Theatre, by contrast, is where reputations get re-written through endurance: eight shows a week, no camera to flatter, no second take to rescue a bad choice. “Develop the chops” signals humility and hustle; “accepted as a great theatrical actress” signals the gatekeeping she knows is real. She’s naming an uncomfortable truth: for women, longevity often requires changing the arena, not just the role.
The subtext is sharper: Hollywood doesn’t just “run out” of roles for older women, it withholds seriousness. Turner’s phrasing, “good roles for women,” implies scarcity by design, not accident. So she takes preemptive action, “building a Broadway career” like a parallel life raft. It’s a hedge against an industry that too often treats women’s aging as a genre problem rather than an artistic opportunity.
Context matters: Turner came up as a screen icon in the 1980s, when her persona was both power and packaging. A famous face can become its own trap, especially for actresses whose early success is tied to a specific kind of desirability. Theatre, by contrast, is where reputations get re-written through endurance: eight shows a week, no camera to flatter, no second take to rescue a bad choice. “Develop the chops” signals humility and hustle; “accepted as a great theatrical actress” signals the gatekeeping she knows is real. She’s naming an uncomfortable truth: for women, longevity often requires changing the arena, not just the role.
Quote Details
| Topic | Career |
|---|---|
| Source | Help us find the source |
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