"I find directing more satisfying"
About this Quote
There’s a quiet power move tucked inside a sentence this bland. “I find directing more satisfying” isn’t a manifesto; it’s an escape hatch. Coming from an actor like Michael Shanks, it reads as both a personal preference and a subtle indictment of the job he’s best known for: acting is a kind of sanctioned dependency. You’re hired late, judged fast, and your best work can still be shaved down by the edit, the score, the network note, the studio’s anxiety.
Directing, by contrast, promises authorship. Not total control - film and TV never really allow that - but a wider grip on meaning. The word “satisfying” does a lot of work here: it’s emotional, not ideological. He’s not claiming directing is “better” or more important, just that it scratches a deeper itch. That makes the line feel disarming rather than defensive, which is often how performers have to talk when they want to change lanes without sounding ungrateful for the lane that made them famous.
The subtext is also about time. Actors live in moments; directors live in arcs. If you’ve spent years being the face of someone else’s vision, the urge to step behind the camera isn’t just ambition - it’s a bid to stop being interpreted and start interpreting. In an industry that loves to freeze people into a single identity, Shanks’ sentence is a calm refusal: I’m not only the product; I want to be part of the process.
Directing, by contrast, promises authorship. Not total control - film and TV never really allow that - but a wider grip on meaning. The word “satisfying” does a lot of work here: it’s emotional, not ideological. He’s not claiming directing is “better” or more important, just that it scratches a deeper itch. That makes the line feel disarming rather than defensive, which is often how performers have to talk when they want to change lanes without sounding ungrateful for the lane that made them famous.
The subtext is also about time. Actors live in moments; directors live in arcs. If you’ve spent years being the face of someone else’s vision, the urge to step behind the camera isn’t just ambition - it’s a bid to stop being interpreted and start interpreting. In an industry that loves to freeze people into a single identity, Shanks’ sentence is a calm refusal: I’m not only the product; I want to be part of the process.
Quote Details
| Topic | Movie |
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