"I find that balancing my life with my work with the kids at St. Jude, working on books, working on my career as an actor and taking time out for my husband and family help to cushion a lot of the blows"
About this Quote
Marlo Thomas turns the language of work-life balance into something tougher and more revealing: not a lifestyle flex, but a survival strategy. The key phrase is "cushion a lot of the blows" - a blunt admission that life, even a successful one, lands hits. She isn't selling serenity; she's describing impact management.
The sentence stacks obligations in a breathless inventory - St. Jude, books, acting, husband, family - and the accumulation matters. This isn't about choosing one authentic path; it's about building a lattice of roles sturdy enough to absorb disappointment in any single arena. If acting dries up, there's authorship. If ambition frays, there's service. If public life turns noisy, there's private life to return to. The subtext is pragmatic: diversification isn't just for portfolios, it's for identity.
Context sharpens it. Thomas isn't merely an actress talking about self-care; she's long been publicly entwined with St. Jude Children's Research Hospital through her family's legacy and her own fundraising work. "Work with the kids" signals proximity to suffering that reorders what counts as a "blow". In that light, career stresses look smaller, but also more bearable because they're placed alongside purpose.
It's also a careful piece of celebrity rhetoric. She frames busyness as devotion rather than vanity, and anchors ambition in family to preempt the familiar critique of the driven woman. The result is a grounded, culturally legible argument: you don't outrun hardship; you buffer it with meaning, relationships, and work that isn't all about you.
The sentence stacks obligations in a breathless inventory - St. Jude, books, acting, husband, family - and the accumulation matters. This isn't about choosing one authentic path; it's about building a lattice of roles sturdy enough to absorb disappointment in any single arena. If acting dries up, there's authorship. If ambition frays, there's service. If public life turns noisy, there's private life to return to. The subtext is pragmatic: diversification isn't just for portfolios, it's for identity.
Context sharpens it. Thomas isn't merely an actress talking about self-care; she's long been publicly entwined with St. Jude Children's Research Hospital through her family's legacy and her own fundraising work. "Work with the kids" signals proximity to suffering that reorders what counts as a "blow". In that light, career stresses look smaller, but also more bearable because they're placed alongside purpose.
It's also a careful piece of celebrity rhetoric. She frames busyness as devotion rather than vanity, and anchors ambition in family to preempt the familiar critique of the driven woman. The result is a grounded, culturally legible argument: you don't outrun hardship; you buffer it with meaning, relationships, and work that isn't all about you.
Quote Details
| Topic | Work-Life Balance |
|---|---|
| Source | Help us find the source |
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