"I find that it's nice to work with somebody and spin off on someone else's feelings. You get a little jaded by yourself"
About this Quote
Herb Alpert is talking like a working musician, not a lone genius polishing a masterpiece in isolation. The phrase "spin off" is telling: it’s jam-session language, kinetic and slightly casual, suggesting creativity as momentum you catch rather than something you manufacture. He’s describing collaboration as a kind of emotional rhythm section. Someone else’s feelings don’t just inspire you; they give you a groove to push against, a contour to shape your own phrasing and choices.
The subtext is a quiet critique of the myth that self-expression is purest when it’s solitary. Alpert admits a truth most artists learn the hard way: your own interior weather gets repetitive. "You get a little jaded by yourself" lands because it’s both funny and self-incriminating. Jaded doesn’t mean empty; it means over-familiar. When you only orbit your own instincts, even your strengths start to feel like habits. Collaboration interrupts that autopilot.
Context matters with Alpert, whose career sits at the intersection of studio precision (A&M’s polished West Coast sound) and the live chemistry of ensemble playing. For a bandleader known for bright, accessible pop instrumentals, this is also a philosophy of audience-friendly artistry: other people’s emotions keep the work porous, less self-serious, more in conversation with the world.
It’s a humble line that still has bite. The real enemy isn’t failure; it’s stagnation disguised as consistency.
The subtext is a quiet critique of the myth that self-expression is purest when it’s solitary. Alpert admits a truth most artists learn the hard way: your own interior weather gets repetitive. "You get a little jaded by yourself" lands because it’s both funny and self-incriminating. Jaded doesn’t mean empty; it means over-familiar. When you only orbit your own instincts, even your strengths start to feel like habits. Collaboration interrupts that autopilot.
Context matters with Alpert, whose career sits at the intersection of studio precision (A&M’s polished West Coast sound) and the live chemistry of ensemble playing. For a bandleader known for bright, accessible pop instrumentals, this is also a philosophy of audience-friendly artistry: other people’s emotions keep the work porous, less self-serious, more in conversation with the world.
It’s a humble line that still has bite. The real enemy isn’t failure; it’s stagnation disguised as consistency.
Quote Details
| Topic | Team Building |
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