"I find the family the most mysterious and fascinating institution in the world"
About this Quote
Calling the family an "institution" is Oz's first quiet provocation. He doesn’t dress it up as sanctuary or curse; he files it under the same category as the state, the army, the synagogue, the kibbutz: a human-built system with rules, roles, hierarchies, and unspoken enforcement. That framing is classic Amos Oz, the novelist of domestic rooms that feel like political landscapes. In Israel especially, family is never just private. It’s where history reproduces itself, where trauma is handed down like heirlooms, where ideology sneaks in through bedtime stories and silences at the table.
"Mysterious" signals Oz’s lifelong suspicion that the people closest to us remain fundamentally opaque. The family promises intimacy, but it manufactures secrecy: parents with past lives, children with interior worlds, spouses rewriting each other as they go. The word also points to the strange alchemy by which love and resentment can coexist without canceling each other out. Families are the one place where you can be known too well and not known at all.
"Fascinating" is the tell: this isn’t a lament, it’s a writer’s admission of dependency. The family is Oz’s narrative engine because it concentrates the big themes he cared about - belonging, betrayal, inheritance, exile - into a tight, combustible setting. By naming it the "most" mysterious institution, he’s elevating the domestic to the level of epic: the real frontier isn’t the desert or the border, but the living room.
"Mysterious" signals Oz’s lifelong suspicion that the people closest to us remain fundamentally opaque. The family promises intimacy, but it manufactures secrecy: parents with past lives, children with interior worlds, spouses rewriting each other as they go. The word also points to the strange alchemy by which love and resentment can coexist without canceling each other out. Families are the one place where you can be known too well and not known at all.
"Fascinating" is the tell: this isn’t a lament, it’s a writer’s admission of dependency. The family is Oz’s narrative engine because it concentrates the big themes he cared about - belonging, betrayal, inheritance, exile - into a tight, combustible setting. By naming it the "most" mysterious institution, he’s elevating the domestic to the level of epic: the real frontier isn’t the desert or the border, but the living room.
Quote Details
| Topic | Family |
|---|---|
| Source | Help us find the source |
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