"I find the most interesting and most daring scripts tend to be for independent films"
About this Quote
There is a quiet career manifesto tucked inside Neve Campbell's compliment to indie scripts: safety is expensive, and risk is usually underfunded. Coming from an actress whose fame was forged in glossy, high-stakes studio machinery (the late-90s star system, franchise logic, press-tour polish), the line reads like a recalibration of what “daring” really means in an industry that sells rebellion as a brand. She’s not romanticizing low budgets; she’s pointing at the incentives. When your investors need a four-quadrant return, the script becomes a risk-management document. When the budget is smaller, the story can afford to be stranger, messier, and more specific.
The phrasing matters. “I find” is a softener that doubles as a shield: it’s opinion, not an indictment. “Tend to be” is another hedge, acknowledging exceptions while still drawing a clear map of where creative oxygen usually lives. Campbell is also reframing prestige. Instead of equating ambition with scale, she ties ambition to intent: the willingness to let characters be unlikable, endings be unresolved, and themes be political without being market-tested into blandness.
The subtext is about agency. For actors, independent films often mean fewer gatekeepers, more room for collaboration, and parts that aren’t built around brand maintenance. It’s also a subtle critique of the way studio projects can flatten women into “love interest” or “final girl” archetypes. In that light, “interesting” isn’t just aesthetic praise; it’s a vote for stories that treat performers as artists, not just recognizable faces.
The phrasing matters. “I find” is a softener that doubles as a shield: it’s opinion, not an indictment. “Tend to be” is another hedge, acknowledging exceptions while still drawing a clear map of where creative oxygen usually lives. Campbell is also reframing prestige. Instead of equating ambition with scale, she ties ambition to intent: the willingness to let characters be unlikable, endings be unresolved, and themes be political without being market-tested into blandness.
The subtext is about agency. For actors, independent films often mean fewer gatekeepers, more room for collaboration, and parts that aren’t built around brand maintenance. It’s also a subtle critique of the way studio projects can flatten women into “love interest” or “final girl” archetypes. In that light, “interesting” isn’t just aesthetic praise; it’s a vote for stories that treat performers as artists, not just recognizable faces.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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