"I generally wade in blind and trust to fate and instinct to see me through"
About this Quote
There is a quiet bravado in admitting you start a book the way a character walks into a haunted house: no map, no flashlight, just a pulse and a hunch. Straub frames his process as "wading", not leaping. That verb matters. It suggests resistance, murk, slow commitment. Writing, for him, isn’t a clean act of engineering but a bodily encounter with uncertainty, where the work pushes back.
The pairing of "fate" and "instinct" is also doing double duty. Fate nods to the old, spooky idea that stories exist out there and the writer is merely the medium. Instinct grounds that mysticism in craft: the accumulated, half-conscious knowledge of what a scene needs, when a line lies, where dread should tighten. Straub’s horror and dark fantasy often feel like they’ve been discovered rather than constructed; this is the ethos behind that effect. If you over-plan terror, it turns into choreography. If you let it bloom in the dark, it stays alive.
Subtextually, he’s pushing back against the modern fetish for outlines and productivity systems. The quote defends a messier, more vulnerable model of authorship: you don’t control the material so much as negotiate with it. For a writer coming of age alongside King-era commercial horror, the statement also reads like a claim of legitimacy. He’s not cranking out scares; he’s trusting the story’s undertow, accepting that the price of originality is temporary blindness.
The pairing of "fate" and "instinct" is also doing double duty. Fate nods to the old, spooky idea that stories exist out there and the writer is merely the medium. Instinct grounds that mysticism in craft: the accumulated, half-conscious knowledge of what a scene needs, when a line lies, where dread should tighten. Straub’s horror and dark fantasy often feel like they’ve been discovered rather than constructed; this is the ethos behind that effect. If you over-plan terror, it turns into choreography. If you let it bloom in the dark, it stays alive.
Subtextually, he’s pushing back against the modern fetish for outlines and productivity systems. The quote defends a messier, more vulnerable model of authorship: you don’t control the material so much as negotiate with it. For a writer coming of age alongside King-era commercial horror, the statement also reads like a claim of legitimacy. He’s not cranking out scares; he’s trusting the story’s undertow, accepting that the price of originality is temporary blindness.
Quote Details
| Topic | Free Will & Fate |
|---|---|
| Source | Help us find the source |
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