"I get crushes on directors because they are so brilliant"
About this Quote
There is something disarmingly frank, and quietly strategic, in Dorothy Malone admitting she got crushes on directors "because they are so brilliant". On the surface it reads like classic Hollywood-romance fluff. Underneath, it’s a neat reframing of power: desire isn’t aimed at the matinee idol in the next trailer, but at the person calling "action", shaping light, tempo, and meaning. In the studio era Malone came up in, directors weren’t just artists; they were gatekeepers who could transform an underused contract player into a presence. Saying the attraction is to "brilliance" flatters, yes, but it also legitimizes ambition as taste.
The phrasing matters. "Crushes" is girlish, temporary, safely unserious - a word that makes an actress’s hunger for creative authority sound like a harmless flutter rather than professional calculation. It’s a way to talk about being captivated by craft without confessing to the blunt truth: directors control your close-ups, your screen time, your future. Calling them brilliant folds the hierarchy into romance, turning asymmetry into admiration.
There’s also a gendered tell. Men in Hollywood are permitted to be "genius"; women are expected to be "charming". Malone sidesteps that trap by attaching her emotional life to intellect and vision, aligning herself with the work rather than the gossip column. The line lands because it’s both sincere and calibrated - a star’s confession that doubles as an argument for taking desire, and artistry, seriously.
The phrasing matters. "Crushes" is girlish, temporary, safely unserious - a word that makes an actress’s hunger for creative authority sound like a harmless flutter rather than professional calculation. It’s a way to talk about being captivated by craft without confessing to the blunt truth: directors control your close-ups, your screen time, your future. Calling them brilliant folds the hierarchy into romance, turning asymmetry into admiration.
There’s also a gendered tell. Men in Hollywood are permitted to be "genius"; women are expected to be "charming". Malone sidesteps that trap by attaching her emotional life to intellect and vision, aligning herself with the work rather than the gossip column. The line lands because it’s both sincere and calibrated - a star’s confession that doubles as an argument for taking desire, and artistry, seriously.
Quote Details
| Topic | Romantic |
|---|---|
| Source | Help us find the source |
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