"I go to Prague every year if I can, value my relationships there like gold, and feel myself in a sense Czech, with all their hopes and needs. They are a people I not only love, but admire"
About this Quote
There is a quiet audacity in claiming a national identity by affection rather than passport. Ellis Peters frames belonging as something earned through return visits, sustained friendships, and a moral commitment to other people’s “hopes and needs.” The repeated emphasis on “every year,” “like gold,” and “in a sense” does careful work: it signals devotion without overreach, a self-policing humility that acknowledges the limits of an outsider’s claim while still insisting that solidarity can be real.
The sentence is also a small argument about how admiration differs from romanticization. Peters doesn’t reduce Prague to aesthetics or nostalgia; she values relationships, not architecture. “With all their hopes and needs” pulls the reader away from tourist Prague and toward lived Prague, the daily pressures that make a society more than a backdrop. That phrasing carries an ethical undertone: to “feel oneself” Czech is to accept responsibility for what happens to Czechs.
Context sharpens the stakes. Peters was writing out of a 20th-century Europe where Czechoslovakia’s identity was repeatedly contested by larger powers. For a British author of her generation, expressing kinship with the Czech people reads as more than personal sentiment; it’s a declaration of allegiance to a culture that has had to defend itself, and a rebuke of the comfortable distance Western observers often keep.
The closing pivot - “not only love, but admire” - resists the condescension that can hide inside sympathy. Love can be paternal. Admiration grants agency. Peters is saying: these aren’t picturesque victims; they’re people worth learning from.
The sentence is also a small argument about how admiration differs from romanticization. Peters doesn’t reduce Prague to aesthetics or nostalgia; she values relationships, not architecture. “With all their hopes and needs” pulls the reader away from tourist Prague and toward lived Prague, the daily pressures that make a society more than a backdrop. That phrasing carries an ethical undertone: to “feel oneself” Czech is to accept responsibility for what happens to Czechs.
Context sharpens the stakes. Peters was writing out of a 20th-century Europe where Czechoslovakia’s identity was repeatedly contested by larger powers. For a British author of her generation, expressing kinship with the Czech people reads as more than personal sentiment; it’s a declaration of allegiance to a culture that has had to defend itself, and a rebuke of the comfortable distance Western observers often keep.
The closing pivot - “not only love, but admire” - resists the condescension that can hide inside sympathy. Love can be paternal. Admiration grants agency. Peters is saying: these aren’t picturesque victims; they’re people worth learning from.
Quote Details
| Topic | Travel |
|---|---|
| Source | Help us find the source |
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