"I guess we've had a very close relationship because I don't pretend to know about cinema and I think I do know a bit about theatre but he does, he respected that and so we really just had a collaboration which went completely like this"
About this Quote
There’s a deceptively shrewd humility in Andrew Lloyd Webber’s shrugging “I don’t pretend to know about cinema,” especially coming from a composer whose brand is practically synonymous with spectacle. The line isn’t self-effacement so much as boundary-setting: a way of claiming authority by openly naming where it applies. In a creative industry that rewards omniscience posturing, Webber frames his partnership as functional rather than ego-driven. He “knows a bit about theatre,” and that modest phrasing is doing work too - it signals craft over charisma, fluency over auteur myth.
The subtext is a quiet negotiation of power. By admitting ignorance about film, he invites the other collaborator to occupy that territory without threat. Then he pivots: “but he does, he respected that.” Respect becomes the real currency here, not taste or vision. It’s a portrait of collaboration as mutual deference, a division of labor that protects the work from becoming a turf war. For a theatre titan stepping into cinema-adjacent terrain (a familiar pressure point for stage-to-screen adaptations), it’s also strategic reputation management: if the film side falters, he has already placed his fingerprints primarily on the theatrical DNA.
The final dangling phrase - “which went completely like this” - feels like someone gesturing with their hands, trying to show a rhythm rather than describe it. That looseness is revealing: the point isn’t a polished anecdote. It’s an insistence that the relationship worked because it stayed practical, human, and (crucially) non-competitive.
The subtext is a quiet negotiation of power. By admitting ignorance about film, he invites the other collaborator to occupy that territory without threat. Then he pivots: “but he does, he respected that.” Respect becomes the real currency here, not taste or vision. It’s a portrait of collaboration as mutual deference, a division of labor that protects the work from becoming a turf war. For a theatre titan stepping into cinema-adjacent terrain (a familiar pressure point for stage-to-screen adaptations), it’s also strategic reputation management: if the film side falters, he has already placed his fingerprints primarily on the theatrical DNA.
The final dangling phrase - “which went completely like this” - feels like someone gesturing with their hands, trying to show a rhythm rather than describe it. That looseness is revealing: the point isn’t a polished anecdote. It’s an insistence that the relationship worked because it stayed practical, human, and (crucially) non-competitive.
Quote Details
| Topic | Friendship |
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