"I had 25 or 30 songs. Sequencing the record, I left that to the producer. I'm not into doing that stuff"
About this Quote
The intent is practical - delegate to the producer - but the subtext is about trust and division of labor. Sequencing isn't clerical; it's narrative architecture, pacing, the emotional sine wave that tells listeners how to feel and when to breathe. By handing that off, Shear admits (or insists) that his job ends at the song. It's an old-school stance: producers as editors, artists as generators, records as collaborative artifacts rather than personal diaries.
Context matters because Shear came up in an era when the album still carried prestige, yet the assembly line was real. Having 25 or 30 songs suggests abundance and discard, a craftsman's surplus. Letting a producer choose implies he's willing to be shaped, even cut - a rarity in a culture that treats control as authenticity. The quote works because it punctures romantic myths about the auteur musician while quietly reminding you: the work is the songs. Everything else is packaging.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
| Cite | Cite this Quote |
Citation Formats
APA Style (7th ed.)
Shear, Jules. (2026, January 16). I had 25 or 30 songs. Sequencing the record, I left that to the producer. I'm not into doing that stuff. FixQuotes. https://fixquotes.com/quotes/i-had-25-or-30-songs-sequencing-the-record-i-left-101845/
Chicago Style
Shear, Jules. "I had 25 or 30 songs. Sequencing the record, I left that to the producer. I'm not into doing that stuff." FixQuotes. January 16, 2026. https://fixquotes.com/quotes/i-had-25-or-30-songs-sequencing-the-record-i-left-101845/.
MLA Style (9th ed.)
"I had 25 or 30 songs. Sequencing the record, I left that to the producer. I'm not into doing that stuff." FixQuotes, 16 Jan. 2026, https://fixquotes.com/quotes/i-had-25-or-30-songs-sequencing-the-record-i-left-101845/. Accessed 4 Feb. 2026.

