"I had a great run on Babylon 5. It was a lot of fun"
About this Quote
There is something quietly strategic about how Bruce Boxleitner remembers Babylon 5: not with a grand thesis about legacy TV, but with the easy, actorly shorthand of “a great run” and “a lot of fun.” It’s modest on the surface, almost throwaway. That’s the point. In an industry that rewards mythmaking, he opts for the language of a working professional who knows the real currency is longevity and morale.
“Great run” is sports talk, not auteur talk. It frames the series as a sustained performance under pressure: seasons as innings, a role as an endurance event. That matters for Babylon 5, a show built on long-arc storytelling when American TV still treated continuity like a nuisance. The subtext is pride without self-canonization. He’s signaling: we pulled off something hard, and we did it without pretending we were curing cancer.
Then there’s “fun,” a word that often smuggles in a lot of relief. Babylon 5 was ambitious, frequently under-resourced, and famously earnest in its politics and philosophy. Calling it fun gently rebalances the narrative away from fan debates, lore density, and the prestige retroactively granted to “influential” sci-fi. It recenters the set: the camaraderie, the craft, the daily act of making big ideas play on a modest budget.
It also reads like a boundary. Boxleitner isn’t auditioning for a shrine; he’s protecting the work from being crushed under reverence. The intent is gratitude, but also control: a reminder that television history is made by people showing up, hitting marks, and somehow enjoying it.
“Great run” is sports talk, not auteur talk. It frames the series as a sustained performance under pressure: seasons as innings, a role as an endurance event. That matters for Babylon 5, a show built on long-arc storytelling when American TV still treated continuity like a nuisance. The subtext is pride without self-canonization. He’s signaling: we pulled off something hard, and we did it without pretending we were curing cancer.
Then there’s “fun,” a word that often smuggles in a lot of relief. Babylon 5 was ambitious, frequently under-resourced, and famously earnest in its politics and philosophy. Calling it fun gently rebalances the narrative away from fan debates, lore density, and the prestige retroactively granted to “influential” sci-fi. It recenters the set: the camaraderie, the craft, the daily act of making big ideas play on a modest budget.
It also reads like a boundary. Boxleitner isn’t auditioning for a shrine; he’s protecting the work from being crushed under reverence. The intent is gratitude, but also control: a reminder that television history is made by people showing up, hitting marks, and somehow enjoying it.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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