"I had a vision how it should sound and I put all my knowledge into this product and it is a fantastic product. People still tell me that I have the best musical thing there"
About this Quote
It’s the swagger of a craftsman, not the posturing of a celebrity: Miroslav Vitous isn’t selling personality here so much as selling process. “I had a vision how it should sound” puts the origin story where jazz musicians actually live - in the ear, in the imagined timbre before the first note is captured. The line quietly argues that artistry is less inspiration than engineering: you hear the finished object in your head, then you build a path to it.
Calling it a “product” is the tell. For a jazz bassist with Vitous’s pedigree (Weather Report, an early architect of electric-jazz language), that word lands with a slightly abrasive honesty. It acknowledges the 20th-century reality: even the most rarefied music gets frozen into objects - albums, gear, libraries, methods - and circulated through markets. The subtext is control. A “vision” implies standards; “all my knowledge” implies a lifetime of technique and taste being compacted into something repeatable, shippable, legible to others.
Then comes the punch of self-validation: “People still tell me…” He’s not just boasting; he’s invoking longevity as proof. In a culture that worships the new, Vitous frames praise as a durable echo, the kind that outlasts trends and reissues. “The best musical thing” is deliberately unspecific, almost charmingly blunt, as if the details don’t matter because the point is impact: the work didn’t merely land; it stayed landed.
Calling it a “product” is the tell. For a jazz bassist with Vitous’s pedigree (Weather Report, an early architect of electric-jazz language), that word lands with a slightly abrasive honesty. It acknowledges the 20th-century reality: even the most rarefied music gets frozen into objects - albums, gear, libraries, methods - and circulated through markets. The subtext is control. A “vision” implies standards; “all my knowledge” implies a lifetime of technique and taste being compacted into something repeatable, shippable, legible to others.
Then comes the punch of self-validation: “People still tell me…” He’s not just boasting; he’s invoking longevity as proof. In a culture that worships the new, Vitous frames praise as a durable echo, the kind that outlasts trends and reissues. “The best musical thing” is deliberately unspecific, almost charmingly blunt, as if the details don’t matter because the point is impact: the work didn’t merely land; it stayed landed.
Quote Details
| Topic | Music |
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