"I had flops, I had success"
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"I had flops, I had success" is Agnes Varda refusing the mythology that artists are supposed to narrate their lives as a clean upward climb. The line is almost aggressively plain, the kind of statement you can’t really argue with, which is exactly the point: it strips away the prestige-language that often surrounds auteurs and replaces it with lived arithmetic. Two short clauses, same grammar, same weight. Flops don’t get euphemisms. Success doesn’t get a victory lap. They’re presented as coexisting facts, not moral verdicts.
That balance reads as both self-protective and quietly radical in the context Varda worked in: a film culture that loved to crown “geniuses” (usually men) and file away everyone else as either a discovery or a disappointment. Varda’s career moved between the canon (Cléo de 5 à 7, Vagabond) and the marginal, between fiction and documentary, between the art-house circuit and the scrappy freedom of making things because she wanted to see if they could exist. Calling some projects “flops” isn’t self-flagellation; it’s an assertion of artistic agency. Failure is part of the craft, not a scandal.
The subtext is a lesson in staying unromanced by your own story. Varda makes room for risk without pretending risk always pays. In an industry addicted to metrics and legacies, she offers something more durable: permission to be inconsistent, and to keep working anyway.
That balance reads as both self-protective and quietly radical in the context Varda worked in: a film culture that loved to crown “geniuses” (usually men) and file away everyone else as either a discovery or a disappointment. Varda’s career moved between the canon (Cléo de 5 à 7, Vagabond) and the marginal, between fiction and documentary, between the art-house circuit and the scrappy freedom of making things because she wanted to see if they could exist. Calling some projects “flops” isn’t self-flagellation; it’s an assertion of artistic agency. Failure is part of the craft, not a scandal.
The subtext is a lesson in staying unromanced by your own story. Varda makes room for risk without pretending risk always pays. In an industry addicted to metrics and legacies, she offers something more durable: permission to be inconsistent, and to keep working anyway.
Quote Details
| Topic | Success |
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