"I had just arrived in New York from California. I was nineteen years old and excited beyond belief. I was an art student and an acting student and behaved as most young actors did - meaning that there was no such thing as a good actor, 'cause you yourself hadn't shown up yet"
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New York lands here like a charge of electricity: not just a city, but a proving ground. Redford sets the scene with that clean, cinematic contrast - California to Manhattan, nineteen, “excited beyond belief” - and then pivots into a confession that’s also a roast. The line about “no such thing as a good actor” isn’t ignorance; it’s the particular arrogance of youth, the kind that feels less like ego than destiny. He’s capturing the psychological trick that lets a kid with no credits walk into a brutal industry and not fold: you have to believe the game has been waiting for your entrance.
The joke works because it’s self-aware without being self-punishing. Redford isn’t apologizing for his younger self; he’s diagnosing him. “You yourself hadn’t shown up yet” is the punchline, but it’s also a thesis about ambition as a temporary delusion that’s weirdly useful. It reframes cockiness as a survival strategy, especially in postwar New York’s talent churn, where thousands arrived convinced they were the missing piece.
There’s subtext, too, about taste and belonging. As an art student and acting student, he’s positioning himself as someone with both craft and hunger, not merely a dreamer. The aside “as most young actors did” widens the lens: this isn’t just Redford’s origin myth, it’s a portrait of a whole class of strivers, fueled by certainty, softened later by experience, and still a little grateful they were naive enough to try.
The joke works because it’s self-aware without being self-punishing. Redford isn’t apologizing for his younger self; he’s diagnosing him. “You yourself hadn’t shown up yet” is the punchline, but it’s also a thesis about ambition as a temporary delusion that’s weirdly useful. It reframes cockiness as a survival strategy, especially in postwar New York’s talent churn, where thousands arrived convinced they were the missing piece.
There’s subtext, too, about taste and belonging. As an art student and acting student, he’s positioning himself as someone with both craft and hunger, not merely a dreamer. The aside “as most young actors did” widens the lens: this isn’t just Redford’s origin myth, it’s a portrait of a whole class of strivers, fueled by certainty, softened later by experience, and still a little grateful they were naive enough to try.
Quote Details
| Topic | New Beginnings |
|---|---|
| Source | Help us find the source |
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