"I had never really thought of myself as a writer; any writing I had done was just to give myself something to draw"
About this Quote
Len Wein’s line is a quiet demolition of the prestige hierarchy that still haunts “serious” art. He frames writing not as a calling but as a practical tool: a scaffold to get to the part that felt real to him, the drawing. That understatement is doing a lot of work. It’s a wink at the romantic myth of the Writer with a capital W, and it’s also a confession about how comics culture often trains creators to think in disciplines, as if story and image are separate lanes rather than a single machine.
The intent reads less like false modesty and more like origin-story candor. Wein, who helped define modern superhero comics (co-creating Wolverine, Swamp Thing, and the new X-Men), is pointing to a creator’s back door into craft: you start with what you love, then you reverse-engineer the rest. “Just to give myself something to draw” reveals a key subtext about control. Writing becomes a way to generate raw material on demand, to avoid waiting for someone else’s script, to keep the pencil moving. It’s hustle disguised as humility.
Context matters because comics have long been treated as a visual medium with “extra” words attached, even as their most enduring magic comes from the fusion. Wein’s remark captures how many cartoonists become writers by necessity, then discover the narrative muscles they were building all along. It’s also a reminder that in comics, authorship is often accidental: you don’t declare yourself a writer; you earn it panel by panel.
The intent reads less like false modesty and more like origin-story candor. Wein, who helped define modern superhero comics (co-creating Wolverine, Swamp Thing, and the new X-Men), is pointing to a creator’s back door into craft: you start with what you love, then you reverse-engineer the rest. “Just to give myself something to draw” reveals a key subtext about control. Writing becomes a way to generate raw material on demand, to avoid waiting for someone else’s script, to keep the pencil moving. It’s hustle disguised as humility.
Context matters because comics have long been treated as a visual medium with “extra” words attached, even as their most enduring magic comes from the fusion. Wein’s remark captures how many cartoonists become writers by necessity, then discover the narrative muscles they were building all along. It’s also a reminder that in comics, authorship is often accidental: you don’t declare yourself a writer; you earn it panel by panel.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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