"I had never seen much of Star Trek, or any other science fiction, before I was cast. But Seven's wonderful"
About this Quote
There is a disarming humility baked into Jeri Ryan's admission: she didn’t come into Star Trek as a credentialed fan, and she’s not pretending otherwise. In a franchise that can feel like a religion with its own doctrine, that candor matters. It punctures the expectation that you must arrive already fluent in warp-drive lore to belong. The subtext is pragmatic: this wasn’t a lifelong dream so much as a job that became a formative identity.
Then she pivots: “But Seven’s wonderful.” That “but” does a lot of work. It’s a small rhetorical shield against fan suspicion, a quick way of saying: I may not have been one of you, but I respect what you care about, and I found the beating heart of it through this character. Ryan isn’t praising the show’s mythology; she’s praising the role as a person you can inhabit. Seven of Nine, after all, is designed as an on-ramp: human enough to anchor empathy, alien enough to generate plot and spectacle. The character’s arc - recovering selfhood after assimilation - is also an actor’s gift, giving Ryan a credible claim to “wonderful” that isn’t just promotional.
Context matters: Seven arrived on Voyager in 1997 as a deliberate ratings and tonal recalibration, frequently wrapped in the franchise’s most contested packaging (costume, camera gaze). Ryan’s line subtly reclaims authorship from that noise. She frames Seven not as a marketing intervention, but as a genuinely compelling inner life worth taking seriously.
Then she pivots: “But Seven’s wonderful.” That “but” does a lot of work. It’s a small rhetorical shield against fan suspicion, a quick way of saying: I may not have been one of you, but I respect what you care about, and I found the beating heart of it through this character. Ryan isn’t praising the show’s mythology; she’s praising the role as a person you can inhabit. Seven of Nine, after all, is designed as an on-ramp: human enough to anchor empathy, alien enough to generate plot and spectacle. The character’s arc - recovering selfhood after assimilation - is also an actor’s gift, giving Ryan a credible claim to “wonderful” that isn’t just promotional.
Context matters: Seven arrived on Voyager in 1997 as a deliberate ratings and tonal recalibration, frequently wrapped in the franchise’s most contested packaging (costume, camera gaze). Ryan’s line subtly reclaims authorship from that noise. She frames Seven not as a marketing intervention, but as a genuinely compelling inner life worth taking seriously.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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