"I had some connections from the newspapers that I did work with up there, so there was a newspaper publisher in Hollywood, and they promised me work and so on"
About this Quote
There is nothing romantic here about “making it” in Hollywood, and that’s exactly the point. Marc Davis frames arrival not as a fateful leap but as a transaction: connections, a publisher, a promise of work. The sentence moves like someone reading off the practical inventory that actually underwrites creative careers. “I had some connections” is a quiet admission that talent rarely travels alone; it arrives escorted by social proof. Even the repeated, almost shrugging “and” does rhetorical work, flattening the mythic into the mundane, as if to say: this is how it’s done, no dramatics required.
The subtext is an artist’s early negotiation with an industry that sells dreams while running on logistics. Davis doesn’t present himself as a starry-eyed outsider; he sounds like a working professional already fluent in the ecosystem of favors and referrals. “Promised me work” carries both hope and a faint caution: promises are soft currency in Hollywood, often honored, sometimes not. The “and so on” is doing heavy lifting too, compressing a whole bundle of implied terms - networking, timing, willingness to take what’s offered - into a casual afterthought. It’s the verbal equivalent of waving off the unglamorous parts.
Context matters: for a 20th-century artist moving through the orbit of studios and media, newspapers were an on-ramp into the entertainment machine. The line captures Hollywood not as a place that discovers you, but as a place you access - through people, through institutions, through a chain of introductions that turns “artist” into “employed.”
The subtext is an artist’s early negotiation with an industry that sells dreams while running on logistics. Davis doesn’t present himself as a starry-eyed outsider; he sounds like a working professional already fluent in the ecosystem of favors and referrals. “Promised me work” carries both hope and a faint caution: promises are soft currency in Hollywood, often honored, sometimes not. The “and so on” is doing heavy lifting too, compressing a whole bundle of implied terms - networking, timing, willingness to take what’s offered - into a casual afterthought. It’s the verbal equivalent of waving off the unglamorous parts.
Context matters: for a 20th-century artist moving through the orbit of studios and media, newspapers were an on-ramp into the entertainment machine. The line captures Hollywood not as a place that discovers you, but as a place you access - through people, through institutions, through a chain of introductions that turns “artist” into “employed.”
Quote Details
| Topic | Work |
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