"I had some fears as a kid, but I was also relatively fearless. Maybe that's a result of living half the time in reality and the other half in fantasy"
About this Quote
Vega’s best trick here is refusing the tidy myth of the “born brave” artist. She admits to childhood fear, then pivots to a more interesting claim: fearlessness isn’t the absence of fear, it’s a skill learned in the split-screen life of a kid with an active inner world. “Half the time in reality and the other half in fantasy” lands as more than a cute origin story; it’s a map of how creative people rehearse survival. Fantasy becomes a second nervous system: a place to test outcomes, script conversations, and build alternate selves before you have the power to be any of them in public.
The subtext is about control. In reality, children are mostly managed; in fantasy, they manage. That oscillation can make you “relatively fearless” because you’ve practiced moving between worlds, adjusting your emotional volume knob. It also hints at the vulnerability baked into artistry: living in fantasy isn’t just play, it’s an escape hatch. Vega frames it gently, but there’s a quiet admission that imagination is sometimes a coping mechanism that later reads as confidence.
Context matters with Vega: a songwriter celebrated for narrative precision and an almost reporterly eye (“Luka,” “Tom’s Diner”). Her work often inhabits other perspectives without melodrama, and this quote describes the training ground for that empathy. The intent feels less like self-mythologizing than a sideways defense of daydreaming: the fantasy life isn’t a distraction from reality, it’s what lets you walk back into it.
The subtext is about control. In reality, children are mostly managed; in fantasy, they manage. That oscillation can make you “relatively fearless” because you’ve practiced moving between worlds, adjusting your emotional volume knob. It also hints at the vulnerability baked into artistry: living in fantasy isn’t just play, it’s an escape hatch. Vega frames it gently, but there’s a quiet admission that imagination is sometimes a coping mechanism that later reads as confidence.
Context matters with Vega: a songwriter celebrated for narrative precision and an almost reporterly eye (“Luka,” “Tom’s Diner”). Her work often inhabits other perspectives without melodrama, and this quote describes the training ground for that empathy. The intent feels less like self-mythologizing than a sideways defense of daydreaming: the fantasy life isn’t a distraction from reality, it’s what lets you walk back into it.
Quote Details
| Topic | Fear |
|---|---|
| Source | Help us find the source |
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