"I had to accept that I was an alcoholic, that was the main thing. I think you've got to. But I try not say that I'm an alcoholic. I prefer to say that it's a disease I've got"
About this Quote
Gascoigne’s line lands with the weary precision of someone who’s had to learn two different vocabularies for the same truth: recovery language and public language. The first sentence is classic sobriety doctrine - acceptance as the non-negotiable starting point. Then he swerves: he accepts it, but he doesn’t want to say it. That contradiction isn’t hypocrisy; it’s a portrait of stigma in real time, especially for an athlete whose job description once included being “mad,” “brilliant,” and endlessly game for the lads.
“I’m an alcoholic” is an identity claim. It pins the problem to the self, not just the behavior. In sports culture, where toughness is currency, that label can feel like permanent disqualification: weak, unreliable, a punchline. Gascoigne reaches for a different frame: “a disease I’ve got.” It’s still accountability (he’s not denying the reality), but it shifts the moral weight. Disease language offers a way to seek help without accepting shame as the entrance fee. It also creates distance: something you carry, not something you are.
The subtext is negotiation - with himself, with tabloids, with fans who adored the chaos until it stopped being entertaining. Gascoigne became a national soap opera: genius on the pitch, carnage off it. This quote reads like a man trying to reclaim authorship. He’s not asking to be excused; he’s asking to be seen as treatable rather than doomed, more patient than spectacle.
“I’m an alcoholic” is an identity claim. It pins the problem to the self, not just the behavior. In sports culture, where toughness is currency, that label can feel like permanent disqualification: weak, unreliable, a punchline. Gascoigne reaches for a different frame: “a disease I’ve got.” It’s still accountability (he’s not denying the reality), but it shifts the moral weight. Disease language offers a way to seek help without accepting shame as the entrance fee. It also creates distance: something you carry, not something you are.
The subtext is negotiation - with himself, with tabloids, with fans who adored the chaos until it stopped being entertaining. Gascoigne became a national soap opera: genius on the pitch, carnage off it. This quote reads like a man trying to reclaim authorship. He’s not asking to be excused; he’s asking to be seen as treatable rather than doomed, more patient than spectacle.
Quote Details
| Topic | Mental Health |
|---|---|
| Source | Help us find the source |
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