"I hadn't realized the number of people that are still interested in listening to what I am doing, people I would never know about if not for being online"
About this Quote
There is a quiet astonishment in Winter's admission, the kind that only lands after decades in a business built on noise. A veteran of the pre-internet music economy, he's marveling at a new kind of audience: not the anonymous mass you "reach" through radio, label machinery, or touring circuits, but a dispersed, self-selecting community that finds you on purpose. The line isn't triumphal; it's almost humbled, as if the digital age has reversed the usual power dynamic. Instead of an artist fighting for attention, attention arrives with receipts: comments, streams, messages from places his career's old distribution routes never touched.
The intent reads like gratitude, but the subtext is more complicated. "Still interested" carries the sting of time, an awareness that the culture is designed to move on. Winter isn't just pleased to have listeners; he's surprised to discover the durability of his own relevance in an attention economy that treats legacy acts like museum pieces unless they can go viral. Online, the catalog becomes present tense again, searchable and shareable, freed from the gatekeeping that once determined who got heard and who faded out.
There's also an understated melancholy: these are "people I would never know about". The internet offers intimacy-by-proxy - a sense of connection without actual contact - and Winter is naming that paradox without dramatizing it. The remark captures a cultural shift where the artist-audience relationship is no longer mediated by institutions, but by algorithms and direct discovery, and where a career can gain a second life not through comeback narratives, but through simple visibility.
The intent reads like gratitude, but the subtext is more complicated. "Still interested" carries the sting of time, an awareness that the culture is designed to move on. Winter isn't just pleased to have listeners; he's surprised to discover the durability of his own relevance in an attention economy that treats legacy acts like museum pieces unless they can go viral. Online, the catalog becomes present tense again, searchable and shareable, freed from the gatekeeping that once determined who got heard and who faded out.
There's also an understated melancholy: these are "people I would never know about". The internet offers intimacy-by-proxy - a sense of connection without actual contact - and Winter is naming that paradox without dramatizing it. The remark captures a cultural shift where the artist-audience relationship is no longer mediated by institutions, but by algorithms and direct discovery, and where a career can gain a second life not through comeback narratives, but through simple visibility.
Quote Details
| Topic | Internet |
|---|---|
| Source | Help us find the source |
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