"I hate changes of administrations, because I have all my villains in place and they are all taken away and replaced with faceless wonders nobody knows"
About this Quote
Pat Oliphant’s line lands like a deadpan groan from the newsroom: not outrage at corruption, but irritation at the inconvenience of having to learn a whole new cast. The joke turns on a deliberately perverse preference. “Villains” are at least legible; they have reputations, tells, a track record of misbehavior you can draw into a single hooked nose or smug grin. Swap them out and you don’t get saints, you get “faceless wonders” - anonymous functionaries whose blandness is its own kind of menace because it resists satire.
Oliphant, as a political cartoonist, is really talking about the economy of attention. Cartooning thrives on recognizability; it’s an art of instant decoding. Administrations change and the public gets the illusion of renewal, but the satirist loses his shorthand. The subtext is cynical and oddly affectionate: at least the old villains were honest about being villains. The new ones arrive wrapped in PR neutrality, harder to pin down, harder to caricature, harder to hold accountable.
There’s also a jab at how power persists. Personnel churn is sold as transformation, yet the machinery keeps humming. “Changes of administrations” reads less like democratic oxygen and more like a corporate reorg: same incentives, new org chart, fresh faces to avoid blame. Oliphant’s wit isn’t just cranky; it’s diagnostic. The faceless aren’t unknown because they’re better. They’re unknown because modern governance gets better at hiding its authors.
Oliphant, as a political cartoonist, is really talking about the economy of attention. Cartooning thrives on recognizability; it’s an art of instant decoding. Administrations change and the public gets the illusion of renewal, but the satirist loses his shorthand. The subtext is cynical and oddly affectionate: at least the old villains were honest about being villains. The new ones arrive wrapped in PR neutrality, harder to pin down, harder to caricature, harder to hold accountable.
There’s also a jab at how power persists. Personnel churn is sold as transformation, yet the machinery keeps humming. “Changes of administrations” reads less like democratic oxygen and more like a corporate reorg: same incentives, new org chart, fresh faces to avoid blame. Oliphant’s wit isn’t just cranky; it’s diagnostic. The faceless aren’t unknown because they’re better. They’re unknown because modern governance gets better at hiding its authors.
Quote Details
| Topic | Sarcastic |
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