"I hate everything about airports from getting there to taking off"
About this Quote
Airports are marketed as portals to possibility, but Honor Blackman strips them back to what they often feel like: an ordeal with branding. “I hate everything about airports from getting there to taking off” lands because it refuses the polite fiction that travel is glamorous once you’ve crossed an ocean. Her list is pointedly mundane. Not “delays” or “lost luggage,” but the whole conveyor belt: the slog of reaching the terminal, the limbo of security, the fluorescent waiting, the cattle-call boarding, the claustrophobic pre-flight routines. Even “taking off” doesn’t offer relief; it’s the last stop on her timeline of irritation, not a triumphant escape.
As an actress associated with mid-century cool (and, in Blackman’s case, a certain Bond-era poise), the complaint has extra bite. The subtext is: I’ve seen the fantasy of jet-set life up close, and it’s mostly logistics and indignity. It’s also a small rebellion against the expectation that public figures should be endlessly game, endlessly grateful, endlessly “on.” Airports demand compliance: remove your shoes, show your liquids, queue quietly, be scanned, be watched. “Everything” is a sweeping word, but it’s doing precision work here, capturing how the friction is systemic, not incidental.
The humor comes from the straight-faced totality. No elaborate punchline, just a perfectly timed span of misery: from the moment travel begins, it’s already too late.
As an actress associated with mid-century cool (and, in Blackman’s case, a certain Bond-era poise), the complaint has extra bite. The subtext is: I’ve seen the fantasy of jet-set life up close, and it’s mostly logistics and indignity. It’s also a small rebellion against the expectation that public figures should be endlessly game, endlessly grateful, endlessly “on.” Airports demand compliance: remove your shoes, show your liquids, queue quietly, be scanned, be watched. “Everything” is a sweeping word, but it’s doing precision work here, capturing how the friction is systemic, not incidental.
The humor comes from the straight-faced totality. No elaborate punchline, just a perfectly timed span of misery: from the moment travel begins, it’s already too late.
Quote Details
| Topic | Travel |
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