"I hate show business"
About this Quote
For a musician as mythologized as Joni Mitchell, "I hate show business" lands like a door slammed from the inside. It is not a rejection of music so much as a refusal of the machinery that turns music into product, persona, and endless availability. Mitchell came up in an era when singer-songwriters were marketed as confessors: authenticity packaged, pain made legible for mass consumption. Her line cuts against that bargain. It insists there is a difference between art made in solitude and the public-facing circus that demands you repeat yourself on command.
The intent is blunt but strategic. "Show business" is a catchall: record-label pressure, press cycles, tours, the industry’s gendered expectations of how a woman should look, speak, and "perform" even offstage. Mitchell’s career has been a long argument with those expectations, from her experimentation beyond folk orthodoxy to her visible discomfort with fame’s surveillance. The phrase "hate" is deliberately unsophisticated; it refuses the polite euphemisms artists are supposed to use when they’re still dependent on the gatekeepers.
The subtext is a power move. By rejecting the industry in its own terms, she reclaims authorship: not just of songs, but of the conditions under which she will exist in public. It also reads as a warning to audiences who confuse intimacy with entitlement. Mitchell offers closeness in her work, then draws a hard boundary around the person who made it. That boundary is the point.
The intent is blunt but strategic. "Show business" is a catchall: record-label pressure, press cycles, tours, the industry’s gendered expectations of how a woman should look, speak, and "perform" even offstage. Mitchell’s career has been a long argument with those expectations, from her experimentation beyond folk orthodoxy to her visible discomfort with fame’s surveillance. The phrase "hate" is deliberately unsophisticated; it refuses the polite euphemisms artists are supposed to use when they’re still dependent on the gatekeepers.
The subtext is a power move. By rejecting the industry in its own terms, she reclaims authorship: not just of songs, but of the conditions under which she will exist in public. It also reads as a warning to audiences who confuse intimacy with entitlement. Mitchell offers closeness in her work, then draws a hard boundary around the person who made it. That boundary is the point.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Mitchell, Joni. (2026, January 16). I hate show business. FixQuotes. https://fixquotes.com/quotes/i-hate-show-business-98831/
Chicago Style
Mitchell, Joni. "I hate show business." FixQuotes. January 16, 2026. https://fixquotes.com/quotes/i-hate-show-business-98831/.
MLA Style (9th ed.)
"I hate show business." FixQuotes, 16 Jan. 2026, https://fixquotes.com/quotes/i-hate-show-business-98831/. Accessed 12 Feb. 2026.
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