"I hate that people think going to the theatre is a special occasion. I wish people would treat it as normally as going to the cinema"
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Blethyn’s complaint lands like a small heresy aimed at British cultural etiquette: theatre shouldn’t require a clean shirt, a big night out budget, and a sense of being “worthy” enough to attend. By calling out the idea of theatre as a “special occasion,” she’s really talking about access - not just ticket prices, but the social barriers that make people feel theatre is for other people. The kind with confidence, money, time, and an unspoken fluency in the rules.
Her comparison to cinema is shrewd because it smuggles in a model of normalcy. Movies are the default; you go on a whim, you show up as you are, you don’t perform your own respectability on the way in. Blethyn isn’t diminishing theatre’s artistry; she’s arguing that reverence has become a cage. When a night at the theatre is treated like an annual ritual, it turns live performance into a luxury good, and audiences into occasional tourists. That’s bad for actors (fewer people taking chances), bad for institutions (aging, self-selecting crowds), and bad for the culture (theatre becomes a museum of itself).
Coming from an actress known for ordinary, sharp-edged human performances, the line also reads as self-defense of the craft: theatre is not a temple. It’s a public service with a pulse. Normalize it, and it can start telling stories that belong to everyone again.
Her comparison to cinema is shrewd because it smuggles in a model of normalcy. Movies are the default; you go on a whim, you show up as you are, you don’t perform your own respectability on the way in. Blethyn isn’t diminishing theatre’s artistry; she’s arguing that reverence has become a cage. When a night at the theatre is treated like an annual ritual, it turns live performance into a luxury good, and audiences into occasional tourists. That’s bad for actors (fewer people taking chances), bad for institutions (aging, self-selecting crowds), and bad for the culture (theatre becomes a museum of itself).
Coming from an actress known for ordinary, sharp-edged human performances, the line also reads as self-defense of the craft: theatre is not a temple. It’s a public service with a pulse. Normalize it, and it can start telling stories that belong to everyone again.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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