"I hate the word lesbian; it tells you nothing; its only purpose is to inflame"
About this Quote
Winterson’s complaint isn’t prudishness about sex; it’s a novelist’s revolt against a lazy noun. “Lesbian,” in her telling, is a word that pretends to explain a person while actually shutting the book on them. It’s a label that collapses the messy particularities of desire, history, class, style, tenderness, cruelty, faith, boredom - all the narrative stuff she traffics in - into a single syllable of social sorting. “It tells you nothing” is a deliberately provocative overstatement, aimed at how identity categories can function as shortcuts for readers, institutions, and critics: once the tag is applied, the imagination stops working.
The sharper barb is “its only purpose is to inflame.” Winterson is pointing at the word’s utility in culture wars: as slur, as scandal, as a headline-ready hook. The term becomes less a neutral descriptor than a trigger, deployed to titillate, police, or rally. That’s why the sentence carries a faintly Orwellian suspicion of language as social control: vocabulary doesn’t just reflect reality; it organizes who counts as normal, who gets cast as spectacle.
Context matters. Winterson came of age and published into a Britain still shaped by Section 28, where “promoting homosexuality” was treated as a civic threat. In that climate, to be named was often to be targeted - by tabloids, by moralists, by gatekeepers who read a life through a single lens. Her line also needles a certain progressive packaging: the market-friendly “lesbian novel” as a shelf category that can both make work visible and reduce it to a niche. The intent is not erasure but a demand: read the person, not the tag.
The sharper barb is “its only purpose is to inflame.” Winterson is pointing at the word’s utility in culture wars: as slur, as scandal, as a headline-ready hook. The term becomes less a neutral descriptor than a trigger, deployed to titillate, police, or rally. That’s why the sentence carries a faintly Orwellian suspicion of language as social control: vocabulary doesn’t just reflect reality; it organizes who counts as normal, who gets cast as spectacle.
Context matters. Winterson came of age and published into a Britain still shaped by Section 28, where “promoting homosexuality” was treated as a civic threat. In that climate, to be named was often to be targeted - by tabloids, by moralists, by gatekeepers who read a life through a single lens. Her line also needles a certain progressive packaging: the market-friendly “lesbian novel” as a shelf category that can both make work visible and reduce it to a niche. The intent is not erasure but a demand: read the person, not the tag.
Quote Details
| Topic | Equality |
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