"I hate to advocate drugs, alcohol, violence, or insanity to anyone, but they've always worked for me"
About this Quote
Thompson’s genius here is the way he turns a confession into a prank with teeth. The opening clause plays the responsible adult, the guy who knows better, the public-service disclaimer you’re supposed to issue before you say something dangerous. Then he detonates it with “but they’ve always worked for me,” a line that’s both punchline and indictment: the “they” is a grab-bag of self-destruction, and the “worked” is a brutally American verb, as if drugs and violence are just productivity tools in the personal-brand toolbox.
The intent isn’t simply to glamorize excess. It’s to expose how easily the culture’s moral language collapses when it runs into charisma, success, and results. Thompson is mocking the bargain we routinely make with celebrated men: if the output is good enough, the inputs become quirky rather than catastrophic. That’s the subtext: he knows the audience is already halfway to forgiving him, and he weaponizes that complicity.
Context matters because Thompson’s “worked” is inseparable from gonzo journalism’s method: dissolving the boundary between observer and participant, treating the reporter’s nervous system as part of the story. The quote reads like a mission statement for an era when authenticity got conflated with extremity, when getting wrecked could be framed as getting real. It’s funny because it’s tight and shameless; it’s unsettling because it’s also plausible. The joke lands, then lingers as a question: worked for whom, exactly, and at what cost?
The intent isn’t simply to glamorize excess. It’s to expose how easily the culture’s moral language collapses when it runs into charisma, success, and results. Thompson is mocking the bargain we routinely make with celebrated men: if the output is good enough, the inputs become quirky rather than catastrophic. That’s the subtext: he knows the audience is already halfway to forgiving him, and he weaponizes that complicity.
Context matters because Thompson’s “worked” is inseparable from gonzo journalism’s method: dissolving the boundary between observer and participant, treating the reporter’s nervous system as part of the story. The quote reads like a mission statement for an era when authenticity got conflated with extremity, when getting wrecked could be framed as getting real. It’s funny because it’s tight and shameless; it’s unsettling because it’s also plausible. The joke lands, then lingers as a question: worked for whom, exactly, and at what cost?
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Quote attributed to Hunter S. Thompson , listed on Wikiquote (Hunter S. Thompson page). |
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