"I have 40 years of unpublished material, the ones they don't pick, and the reason I don't redraw them or use them again is that I like to use my brain every day and come up with new jokes"
About this Quote
There’s a quiet flex hiding inside this humble complaint about the “unpublished.” Sergio Aragones turns what could be framed as rejection into proof of abundance: he’s been producing so relentlessly for so long that even the leftovers add up to four decades. The line is funny in the way his best marginalia is funny - quick, self-effacing, and secretly ruthless about standards.
The intent is part artist’s credo, part work ethic manifesto. Aragones isn’t romanticizing inspiration; he’s describing a practice. The subtext is that cartooning, at least at his level, isn’t a lightning-bolt art form. It’s daily calisthenics. “I like to use my brain every day” reads like a refusal of both nostalgia and thrift. He could recycle, touch up, and cash in on old gags. He chooses the harder option: generate new ones, keep the machine warm, stay surprised by his own mind.
Context matters because Aragones comes out of a tradition (MAD, gag cartoons, wordless visual punchlines) where the currency is volume and freshness. Editors “don’t pick” plenty because the genre is ruthless: one weak beat, one predictable turn, and it’s dead. His response isn’t bitterness; it’s a boundary. Unpublished doesn’t mean unusable, it means not good enough for today.
There’s also a subtle ethics here: not reusing jokes is respect for the reader. He’s protecting the contract that humor should feel alive, not amortized.
The intent is part artist’s credo, part work ethic manifesto. Aragones isn’t romanticizing inspiration; he’s describing a practice. The subtext is that cartooning, at least at his level, isn’t a lightning-bolt art form. It’s daily calisthenics. “I like to use my brain every day” reads like a refusal of both nostalgia and thrift. He could recycle, touch up, and cash in on old gags. He chooses the harder option: generate new ones, keep the machine warm, stay surprised by his own mind.
Context matters because Aragones comes out of a tradition (MAD, gag cartoons, wordless visual punchlines) where the currency is volume and freshness. Editors “don’t pick” plenty because the genre is ruthless: one weak beat, one predictable turn, and it’s dead. His response isn’t bitterness; it’s a boundary. Unpublished doesn’t mean unusable, it means not good enough for today.
There’s also a subtle ethics here: not reusing jokes is respect for the reader. He’s protecting the contract that humor should feel alive, not amortized.
Quote Details
| Topic | Work Ethic |
|---|---|
| Source | Help us find the source |
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