"I have a master plan as an artist. I've always said I'm not going to be punching nobody's clock. I will work as an artist to survive in this world"
About this Quote
Erykah Badu frames artistry less as a vibe than as labor with terms she refuses. “Master plan” sounds almost corporate, then she swerves: the plan is to reject the corporate. That tension is the point. She’s claiming strategy without surrendering to the kind of strategy that turns musicians into dependable employees of someone else’s schedule, brand brief, and quarterly targets.
“Punching nobody’s clock” is working-class language with a sharp edge: it nods to the dignity of wage work while insisting it’s not her lane. The subtext isn’t laziness; it’s autonomy. Badu is pointing at a system that treats creative people like content generators, prized for output over soul, and she’s drawing a boundary around her time. Time is the real currency here, not inspiration.
Then she lands on the hardest line: “to survive in this world.” Not thrive, not “express myself,” survive. It punctures the romantic myth that art is a pure calling floating above rent and exploitation. Coming from Badu, a cornerstone of neo-soul whose public persona has been alternately revered, misunderstood, and meme-ified, it reads like a refusal to be turned into a product even by fans who think they’re celebrating her. The quote works because it treats freedom as a practice, not a personality trait: a daily commitment to making art on her terms, even when the world is built to bill you by the hour.
“Punching nobody’s clock” is working-class language with a sharp edge: it nods to the dignity of wage work while insisting it’s not her lane. The subtext isn’t laziness; it’s autonomy. Badu is pointing at a system that treats creative people like content generators, prized for output over soul, and she’s drawing a boundary around her time. Time is the real currency here, not inspiration.
Then she lands on the hardest line: “to survive in this world.” Not thrive, not “express myself,” survive. It punctures the romantic myth that art is a pure calling floating above rent and exploitation. Coming from Badu, a cornerstone of neo-soul whose public persona has been alternately revered, misunderstood, and meme-ified, it reads like a refusal to be turned into a product even by fans who think they’re celebrating her. The quote works because it treats freedom as a practice, not a personality trait: a daily commitment to making art on her terms, even when the world is built to bill you by the hour.
Quote Details
| Topic | Career |
|---|---|
| Source | Help us find the source |
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