"I have a perfect cure for a sore throat: cut it"
About this Quote
Hitchcock’s “perfect cure” lands because it’s a medical tip delivered like a murder plan. The joke is blunt to the point of gleeful cruelty: yes, cutting a throat would end the soreness, in the same way turning off a TV ends a bad show. It’s comedy by overcorrection, and it doubles as a signature Hitchcock move - taking a mundane anxiety (a sore throat, an irritant you can’t ignore) and yanking it into the territory of mortal danger.
The intent isn’t simply to shock; it’s to expose how thin the membrane is between everyday discomfort and the fantasies we use to manage it. People want “perfect cures.” Hitchcock answers with an absurdist literalism that mocks the promise of easy fixes. The line also flatters the listener’s complicity: you’re meant to recoil and laugh at yourself for laughing, which is basically the emotional contract of his films.
Subtextually, it’s a small manifesto about control. Hitchcock was famous for orchestrating fear with surgical precision, and here he reduces healing to the cleanest, most final edit imaginable: remove the problem by removing the person. That’s director-brain thinking, too - if a scene drags, cut it. If a throat hurts, cut it. The cruelty is part of the craftsmanship.
Context matters: Hitchcock cultivated a public persona as the urbane, deadpan “master of suspense,” especially through his TV introductions and interviews. This is that persona distilled - a wink delivered with a blade hidden behind it.
The intent isn’t simply to shock; it’s to expose how thin the membrane is between everyday discomfort and the fantasies we use to manage it. People want “perfect cures.” Hitchcock answers with an absurdist literalism that mocks the promise of easy fixes. The line also flatters the listener’s complicity: you’re meant to recoil and laugh at yourself for laughing, which is basically the emotional contract of his films.
Subtextually, it’s a small manifesto about control. Hitchcock was famous for orchestrating fear with surgical precision, and here he reduces healing to the cleanest, most final edit imaginable: remove the problem by removing the person. That’s director-brain thinking, too - if a scene drags, cut it. If a throat hurts, cut it. The cruelty is part of the craftsmanship.
Context matters: Hitchcock cultivated a public persona as the urbane, deadpan “master of suspense,” especially through his TV introductions and interviews. This is that persona distilled - a wink delivered with a blade hidden behind it.
Quote Details
| Topic | Dark Humor |
|---|---|
| Source | Help us find the source |
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