"I have always believed that 98% of a student's progress is due to his own efforts, and 2% to his teacher"
About this Quote
Sousa’s “98%” is less a statistic than a dare. Coming from a bandmaster who turned discipline into spectacle, the line carries the brisk authority of someone who watched talent fail from softness, not from lack of instruction. The point isn’t that teachers don’t matter; it’s that they’re useless without a student willing to do the unglamorous part: repetition, embarrassment, slow correction, daily scales when no one is listening.
The lopsided ratio is deliberate stagecraft. By making the teacher’s share comically small, Sousa strips students of the most convenient alibi in education: “No one taught me right.” He’s also defending a certain old-world apprenticeship ethic inside a rapidly modernizing America, where institutions were growing and professional credentials were starting to look like guarantees. Sousa, whose own career blended rigorous training with populist touring, knew that instruction can open doors, but it can’t march you through them.
There’s subtext, too, about authority and responsibility. A teacher becomes a catalyst, not a savior; guidance is real but secondary to self-command. That framing flatters the student’s agency while quietly protecting the teacher’s mystique: the great instructor is the one who makes you feel the work was yours all along.
Read today, it’s an antidote to both helicoptered education and teacher-as-villain narratives. It’s also a reminder that art, especially music, refuses to be outsourced. You can buy lessons; you can’t buy hours.
The lopsided ratio is deliberate stagecraft. By making the teacher’s share comically small, Sousa strips students of the most convenient alibi in education: “No one taught me right.” He’s also defending a certain old-world apprenticeship ethic inside a rapidly modernizing America, where institutions were growing and professional credentials were starting to look like guarantees. Sousa, whose own career blended rigorous training with populist touring, knew that instruction can open doors, but it can’t march you through them.
There’s subtext, too, about authority and responsibility. A teacher becomes a catalyst, not a savior; guidance is real but secondary to self-command. That framing flatters the student’s agency while quietly protecting the teacher’s mystique: the great instructor is the one who makes you feel the work was yours all along.
Read today, it’s an antidote to both helicoptered education and teacher-as-villain narratives. It’s also a reminder that art, especially music, refuses to be outsourced. You can buy lessons; you can’t buy hours.
Quote Details
| Topic | Student |
|---|---|
| Source | Help us find the source |
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