"I have always preferred conflict of individuals over the battle of extreme ideologies"
About this Quote
Ludlum is telling you why his thrillers feel like propulsive human chess instead of political sermons. “Conflict of individuals” is a craft choice: it keeps the story legible at high speed. Readers can track motives, betrayals, grudges, fear, pride. “The battle of extreme ideologies,” by contrast, turns characters into mouthpieces and plots into pamphlets. Ludlum isn’t denying politics; he’s refusing to let politics do the emotional work.
The subtext is almost transactional: ideology is a ready-made engine that can carry a narrative without much invention. If your villain is simply “a fanatic,” you don’t have to explain him. Ludlum prefers the harder route, where the antagonism is personal enough to surprise you. A bureaucrat can be cruel without being a zealot; a patriot can become monstrous without changing flags. That ambiguity is where suspense lives.
Context matters. Ludlum wrote in the long shadow of the Cold War, when “extreme ideologies” were not abstract classroom terms but branding for global blocs, proxy wars, and domestic paranoia. Spy fiction could easily flatten into East-vs-West moral theater. His line reads like a refusal to hand either side the clean catharsis of certainty. By narrowing the lens to individuals, he can show systems at work while preserving the messier truth: history is often moved by people who are opportunistic, compromised, or just trying to survive.
It’s also a reader’s invitation. Don’t come for doctrine; come for the pressure cooker where identity, loyalty, and self-preservation collide. That’s Ludlum’s realism: not who’s right, but what people do when they’re cornered.
The subtext is almost transactional: ideology is a ready-made engine that can carry a narrative without much invention. If your villain is simply “a fanatic,” you don’t have to explain him. Ludlum prefers the harder route, where the antagonism is personal enough to surprise you. A bureaucrat can be cruel without being a zealot; a patriot can become monstrous without changing flags. That ambiguity is where suspense lives.
Context matters. Ludlum wrote in the long shadow of the Cold War, when “extreme ideologies” were not abstract classroom terms but branding for global blocs, proxy wars, and domestic paranoia. Spy fiction could easily flatten into East-vs-West moral theater. His line reads like a refusal to hand either side the clean catharsis of certainty. By narrowing the lens to individuals, he can show systems at work while preserving the messier truth: history is often moved by people who are opportunistic, compromised, or just trying to survive.
It’s also a reader’s invitation. Don’t come for doctrine; come for the pressure cooker where identity, loyalty, and self-preservation collide. That’s Ludlum’s realism: not who’s right, but what people do when they’re cornered.
Quote Details
| Topic | Peace |
|---|---|
| Source | Help us find the source |
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