"I have been playing a lot of keyboards, especially in the last five or six years. I suppose it gives you more scope than the guitar, although it does tend to make you write a different way"
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Ralphs is talking like a working musician, not a gear evangelist: the instrument is less a badge than a lever. When he says keyboards give you "more scope", he’s admitting something guitar culture rarely says out loud - that the fretboard can become a comfortable rut. Keyboards lay harmony out in a straight line. Chords, inversions, bass movement, and modulation are physically obvious in a way they aren’t when your hands are busy making shapes on strings. That “scope” isn’t just range; it’s a wider map of what a song can do.
Then comes the telling hedge: “although it does tend to make you write a different way.” He’s naming the trade-off without romanticizing it. Switching to keys doesn’t merely add colors to the same canvas; it changes the painter’s wrist. A riff-first guitarist often writes from muscle memory and rhythmic attack; a keyboard invites blocks of harmony, voice-leading, and sustained tones. The groove shifts, the density shifts, even the emotional temperature can shift - keys can pull you toward cinematic or introspective spaces where a guitar might default to bite and swagger.
Context matters: Ralphs is a classic-rock craftsman whose legacy is built on riff economy and big hooks. Late-career keyboard immersion reads like an artist refusing to fossilize into a “greatest-hits” version of himself. The subtext is humility: the song is the goal, and whichever instrument disrupts your habits is the one that keeps you honest.
Then comes the telling hedge: “although it does tend to make you write a different way.” He’s naming the trade-off without romanticizing it. Switching to keys doesn’t merely add colors to the same canvas; it changes the painter’s wrist. A riff-first guitarist often writes from muscle memory and rhythmic attack; a keyboard invites blocks of harmony, voice-leading, and sustained tones. The groove shifts, the density shifts, even the emotional temperature can shift - keys can pull you toward cinematic or introspective spaces where a guitar might default to bite and swagger.
Context matters: Ralphs is a classic-rock craftsman whose legacy is built on riff economy and big hooks. Late-career keyboard immersion reads like an artist refusing to fossilize into a “greatest-hits” version of himself. The subtext is humility: the song is the goal, and whichever instrument disrupts your habits is the one that keeps you honest.
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| Topic | Music |
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