"I have broken a lot of stories"
About this Quote
A journalist bragging about “broken” stories is supposed to conjure scoops and shoe-leather heroism. Robert Scheer’s phrasing, though, carries a sly double edge: “broken” doesn’t just mean “reported first.” It hints at damage done, systems cracked open, reputations shattered, official narratives forced to splinter under pressure. The line reads like professional pride with a faint wince underneath.
Scheer came up in an American media ecosystem where access and deference were long treated as the price of admission, especially around war, intelligence, and corporate power. To “break” a story in that world isn’t merely to publish; it’s to rupture a consensus engineered by press offices, advertisers, and political handlers. The verb makes the work sound less like delivering information and more like committing a controlled act of sabotage against the smooth surfaces of public relations.
There’s also a self-aware boast embedded in the simplicity. No details, no trophy case, no list of bylines. Just a blunt, almost weary metric of a career: impact. It implies repetition, persistence, the unglamorous grind of pushing until something gives. At the same time, it subtly reframes journalistic success away from personal celebrity and toward consequence: the story isn’t “made,” it’s “broken” out of its enclosure.
In an era that treats “breaking news” as a perpetual chyron, Scheer’s line feels like a corrective. Real breaking requires friction: sources who risk something, editors willing to absorb heat, and a reporter prepared to be unpopular. The boast lands because it’s not really about speed. It’s about force.
Scheer came up in an American media ecosystem where access and deference were long treated as the price of admission, especially around war, intelligence, and corporate power. To “break” a story in that world isn’t merely to publish; it’s to rupture a consensus engineered by press offices, advertisers, and political handlers. The verb makes the work sound less like delivering information and more like committing a controlled act of sabotage against the smooth surfaces of public relations.
There’s also a self-aware boast embedded in the simplicity. No details, no trophy case, no list of bylines. Just a blunt, almost weary metric of a career: impact. It implies repetition, persistence, the unglamorous grind of pushing until something gives. At the same time, it subtly reframes journalistic success away from personal celebrity and toward consequence: the story isn’t “made,” it’s “broken” out of its enclosure.
In an era that treats “breaking news” as a perpetual chyron, Scheer’s line feels like a corrective. Real breaking requires friction: sources who risk something, editors willing to absorb heat, and a reporter prepared to be unpopular. The boast lands because it’s not really about speed. It’s about force.
Quote Details
| Topic | Writing |
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