"I have come up with very creative ideas that really didn't work with the song I was currently composing"
About this Quote
Every artist has a private graveyard of brilliant ideas, and Ken Hill is casually pointing to his. The line reads like a shrug, but it’s a disciplined shrug: the kind that comes from writing for performance, where “creative” isn’t the same as “useful.” Hill’s intent is quietly corrective. He’s pushing back against the romantic myth that creativity is a constant stream of gold; in songwriting (and especially in theater), invention has to answer to structure, rhythm, character, and timing. A clever melodic twist or lyrical conceit can be genuinely exciting and still be the wrong tool for the job.
The subtext is ego management. Hill isn’t saying he lacked ideas; he’s saying he had too many, and the real craft is knowing when to refuse yourself. That refusal is a professional skill: the ability to prioritize the song’s internal logic over the author’s desire to show off. It also hints at a collaborative, stage-minded reality. A song isn’t just a song in a play; it’s a scene with a tempo, a narrative function, and a performer’s body attached to it. “Didn’t work” can mean it didn’t land emotionally, didn’t clarify the story beat, or simply fought the musical language already established.
Contextually, Hill’s career in musical theater makes the remark feel like shop talk with a lesson embedded: creativity isn’t only generative, it’s editorial. The candidness is the point. He’s normalizing failure as part of composition, not as an exception but as the engine that refines the final number.
The subtext is ego management. Hill isn’t saying he lacked ideas; he’s saying he had too many, and the real craft is knowing when to refuse yourself. That refusal is a professional skill: the ability to prioritize the song’s internal logic over the author’s desire to show off. It also hints at a collaborative, stage-minded reality. A song isn’t just a song in a play; it’s a scene with a tempo, a narrative function, and a performer’s body attached to it. “Didn’t work” can mean it didn’t land emotionally, didn’t clarify the story beat, or simply fought the musical language already established.
Contextually, Hill’s career in musical theater makes the remark feel like shop talk with a lesson embedded: creativity isn’t only generative, it’s editorial. The candidness is the point. He’s normalizing failure as part of composition, not as an exception but as the engine that refines the final number.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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